The Denver Post

Kacey Musgraves takes us on a trip that’s pure gold

- By Chris Richards

Word on the bandwidth is that Kacey Musgraves dropped acid while listening to a Tame Impala record and now she’s the greatest countrysin­gerforpeop­lewhodon’tlistentoc­ountrymusi­c that our dumb century has ever heard.

What a dim way to think about Musgraves’s “Golden Hour,” an extraordin­ary new album which, sure, may have been inspired by hallucinog­ens and pseudo psychrock but still aces many of the tests that we expect a great country album to pass. For one, if country music is about everyday life, here’s a songwriter arguing that awe and bewilderme­nt are essential to our everyday lives. What a heavy thought to make light. Our wonderment is completely ordinary.

And while Musgraves seems to be gazing into this titanic truth through a drowsy thirdeye, her calm feels particular­ly untrippy during “Oh, What A World,” a small song about big mysteries. Across two sweetly sung verses, she jots down a grocery list of mindblower­s — the aurora borealis, biolumines­cent sea creatures, psychoacti­ve plants, a belief in reincarnat­ion, the possibilit­y of a multiverse — and then repeats a little mantra to keep her brain from float ing off into the void like a slippery helium balloon. “These are real things,” she tells herself. “Yeah, these are real things.”

For realityobs­essed country music fans, that’s a serious piece of bubble gum to chew on. Musgraves’ reality is the only one she has to go by.

You need to hear the music, though. It’s easy to reduce a country song to its lyrics, and Musgraves knows that the real meaning of a song lies in how the voice illuminate­s the words, anyway. So now she seems to be approachin­g her singing as if it were some kind of meditation. Instead of going on lungscorch­ing rocket rides or sinking into pillowy whisper games, Musgraves only ever appears to be moving toward the stillness of the center of her voice. The effect can be strange and beautiful. She sounds her most emotive whenever she sounds her most bored. And what’s boredom, really? The softest kind of yearning.

 ?? Kelley Christine Sutton, Universal Music Group Nashville ?? “Golden Hour” is Kacey Musgraves’ finest album to date.
Kelley Christine Sutton, Universal Music Group Nashville “Golden Hour” is Kacey Musgraves’ finest album to date.

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