The Denver Post

Multiple Tony-winning playwright dies at 81

- By Mark Kennedy Daniel Dorsa, © The New York Times Co.

Terrence McNally, one of America’s great playwright­s whose prolific career included winning Tony Awards for the plays “Love! Valour! Compassion!” and “Master Class” and the musicals “Ragtime” and “Kiss of the Spider Woman,” died Tuesday of complicati­ons from the coronaviru­s. He was 81.

McNally died at Sarasota Memorial Hospital in Sarasota, Fla., according to representa­tive Matt Polk. McNally was a lung cancer survivor who lived with chronic inflammato­ry lung disease.

His plays and musicals explored how people connect — or fail to. With wit and thoughtful­ness, he tackled the strains in families, war and relationsh­ips and probed the spark and costs of creativity. He was an openly gay writer who wrote about homophobia, love and AIDS.

“I like to work with people who are a lot more talentedan­dsmarterth­anme, who make fewer mistakes than I do, and who can call me out when I do something lazy,” he told LA Stage Times in 2013. “A lot of people stop learning in life, and that’s their tragedy.”

McNally’s “Lips Together, Teeth Apart,” about two married couples who spend a weekend on Fire Island, was a landmark play about AIDS. His play “The Ritz” became one of the first plays with unapologet­ic gay characters to reach a mainstream audience.

McNally also explored gay themes in the book for the musical “Kiss of the Spider Woman,” for which he won his first Tony Award. His play “Love! Valour! Compassion!” earned him another Tony Award for its portrayal of eight gay men facing issues of fidelity, love and happiness.

“Theater changes hearts, that secret place where we all truly live,” he said at the 2019 Tony Awards, where he accepted a lifetime achievemen­t award. “The world needs artists more than ever to remind us what truth and beauty and kindnessre­allyare.”

F. Murray Abraham, the Oscar winner who appeared on Broadway in “The Ritz,” said of McNally: “His plays are a pleasure to do, but what he says is important, too. And he’s like a fountain he keeps on writing and writing and writing.”

Tributes pored in online from Broadway figures, including from fellow playwright­s Paula Vogel, who called McNally “the soul of kindness,” and Lin-Manuel Miranda, who called McNally “a giant in our world, who straddled plays and musicals deftly.” Talk show host James Corden tweeted: “He was an absolute gentleman and his commitment to the theater was unwavering. He will be missed by so many of us.”

In 2018, McNally was inducted into the American Academy of Arts and Letters. He won four Tonys and an Emmy. New York University gave him an honorary doctorate in 2019.

Andrew D. Hamilton, president of New York University, told the crowd that day that McNally put a “unique stamp on American drama by probing the urgent need for connection thatresona­tesattheco­reof human experience.”

Some of his Broadway musical adaptation­s include “The Full Monty,” adapted from the British film and scored by David Yazbek; “Catch Me if You Can,” based on the Steven Spielberg film, and scored by composer Marc Shaiman and lyricist Scott Wittman; and “Ragtime,” the musical based on the novel by E.L. Doctorow, which won four Tony Awards. In 2017, his musical reworking of the film “Anastasia” landed on Broadway.

His 2014 Broadway play “Mothers and Sons” — revisiting McNally’s 1990 TV movie “Andre’s Mother,” which won him an Emmy Award — explores the relationsh­ip between a mother and her dead son’s former gay partner. His “It’s Only a Play” was a valentine to theater-making. His “The Visit” was a meditation on revenge.

McNally sometimes was controvers­ial, especially with his play “Corpus Christi,” which depicts a modern-day Jesus as a homosexual. The Manhattan Theater Club, the first company to consider staging it, received death threats and temporaril­y canceled the production before it enjoyed a successful run.

When picking up

his

“Ragtime” Tony Award, McNally thanked the theater community for its outcry. “You came together when I was in trouble. It was a time of oppression. You came together overnight. Our voices were heard, and we won,” he said.

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 ??  ?? Playwright Terrence McNally, center, relaxes at his home in New York City with his husband, Tom Kirdahy, in 2018.
Playwright Terrence McNally, center, relaxes at his home in New York City with his husband, Tom Kirdahy, in 2018.
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