The Denver Post

ARTIST BOB RAGLAND PASSES AWAY AT 82

- By Kieran Nicholson

Bob Ragland, an award-winning Denver artist, art teacher and author, has died. He worked in multiple media, and his 1990 sculpture Flute Player with Corn Row Hair can be seen at the Kirkland Museum of Fine & Decorative Art in downtown.

Bob Ragland, a longtime Denver artist, teacher and author who founded and championed his “Non-Starving Artist Program,” died over the weekend at his Whittier neighborho­od home. Ragland was 82.

Ragland was an award-winning artist who worked in multiple media, and some of his works are on public display, including his 1990 sculpture Flute Player with Corn Row Hair, at the Kirkland Museum of Fine & Decorative Art.

In 2016, a short documentar­y was produced about Ragland titled “Rags to Riches.” It was directed by a fellow artist, friend and former student of Ragland’s, Samantha Lobato.

“When I met him, his energy was so absolutely intense, but in such a good way. His passion for art really pushed through,” said Lobato, who studied art at Denver Public Schools Career Education Center in 2010 when Ragland taught there.

Lobato describes Ragland as a mentor, a teacher who never marked students’ art pieces, instead marking a piece of vinyl over or on the piece.

“It really struck me that he really respected everyone’s work,” she said.

Ragland’s simple brick home, with a front porch where he seemingly always worked, was full of his art. He had pieces catalogued in his mind and could retrieve a piece at a moment’s notice.

The artist was well-known for his business mantra that artists should, and must, make money to pursue their discipline. “Bread and shelter has to be paid for, I’ve got to heat and eat,” Ragland said often, and with a smile.

In a 2005 Denver Post story, a satisfied Ragland said he paid off what was left of his home mortgage in 1998 with an advertised art sale. Eighteen arts lovers paid $300 — a subscriber fee — and each got to choose one painting

and one sculpture from his home. The mortgage was paid.

Ragland bought his modest home in 1972 and paid $11,500. In the documentar­y Ragland said: “Being rich isn’t having a gazillion dollars. It’s being able to do what you like to do.”

Dean Mitchell, a renowned Florida artist, has painted several portraits of Ragland, including award-winning pieces, over the years. The men met in 1991, when Ragland telephoned Mitchell about an upcoming show in Denver to which Mitchell had been invited.

“I got a call from this guy,” Mitchell recalled. “‘You don’t

know me, my name is Bob Ragland. I don’t want anything from you. … ’”

“I started laughing,” Mitchell said. Ragland joined Mitchell in laughter on the phone, and a rich, lasting friendship was born.

“He wanted me to know that I was the first Black artist invited to the show,” Mitchell said. “That’s how I met him. He’s been a friend ever since.”

Ragland and Mitchell exchanged telephone calls, typically about two a week, mostly on Monday and Friday. Last Friday they didn’t hook up.

“He has been a guiding force for me,” Mitchell said. “I’m going to miss him. It’s a tough loss.”

One of Mitchell’s portraits of Ragland is in the Smithsonia­n National Portrait Gallery.

Ragland was born Dec. 11, 1938, in Cleveland. He joined the Army at age 18 and was stationed at Colorado’s Fort Carson. After his service, Ragland moved to Denver in 1959 and worked for the Postal Service for six years. He attended the Rocky Mountain Art School and learned to weld at the Emily Griffith Opportunit­y School.

In 1966, Ragland held his first art show in a Denver church basement that he rented for $10. He sold 17 of the 35 works that were for sale. Ragland had been listed in Who’s Who in American Art since 1976.

“Bob was a passionate advocate for Colorado art and artists,” said founding director and curator Hugh Grant of the Kirkland Museum in a statement. “We are glad to have him represente­d in our collection and on our website.”

As a child, Ragland started drawing on brown paper sacks that his mother gave him. As an artist in Denver, he drew inspiratio­n and materials from his Whittier neighborho­od. Potential art subjects were never more than a walk away. Ragland also enjoyed trips to New Mexico, where he also would seek and find inspiratio­n, especially landscapes.

Ragland was best known for his oil paintings. His popular sculptures were made of discarded materials, including bedsprings, tires, pipes, chains and car parts. He authored two books, “The Artist’s Question and Answer Book” and the “The Artist’s Survival Handbook: Or What to Do Till You’re Rich and Famous.”

“They’re practical nuts-and-bolts books on how to have an art career,” Ragland told the Post. “Everything that they don’t teach you at art school is in these books.”

Known to write a great many letters to a great many people, including prospectiv­e art clients, Ragland incorporat­ed art into the envelopes and the letters themselves.

Clyde Steadman, a local artist and art teacher, has known Ragland for about 20 years.

“He was passionate­ly devoted to art and the art community,” Steadman said. “Bob was exceptiona­lly devoted to the business of art. I think of him as a great networker. He was a monument.”

Informatio­n on a service for Ragland is pending.

 ?? Sue Viders, Denver Post file ?? Bob Ragland adds the finishing touches to a creation in 1973.
Sue Viders, Denver Post file Bob Ragland adds the finishing touches to a creation in 1973.
 ?? Glenn Asakawa, Denver Post file ?? Bob Ragland poses for a portrait in February 2002 with his work and that of other Black artists that were on display in the atrium of the Wells Fargo downtown building for Black History Month.
Glenn Asakawa, Denver Post file Bob Ragland poses for a portrait in February 2002 with his work and that of other Black artists that were on display in the atrium of the Wells Fargo downtown building for Black History Month.
 ?? Ernie Leyba, Denver Post file ?? Ragland shows a charcoal drawing in November 1971.
Ernie Leyba, Denver Post file Ragland shows a charcoal drawing in November 1971.

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