The Denver Post

What are the 500 best albums? Rolling Stone has an answer

- By Mark Kennedy

NEW YORK >> Is Fleetwood Mac’s landmark album “Rumours” better than “To Pimp a Butterfly” by Kendrick Lamar? Should “Tapestry” by Carole King be ranked higher or lower than “Thriller” by Michael Jackson?

Rolling Stone magazine has some answers in a new book that’s sure to spark conversati­ons — “The 500 Greatest Albums of All Time.” It’s where you’ll find that Bruce Springstee­n’s “Born to Run” fittingly sits just ahead of “Ready to Die” by The Notorious B.I.G., at No. 21 and No. 22, respective­ly.

“Every record on here is in some ways on for different reasons,” said Jon Dolan, the reviews editor at Rolling Stone who helped create the book. “We are really happy, to be honest, about the whole list.”

But if you disagree with the rankings, don’t blame the folks at Rolling Stone. Blame Beyoncé, Taylor Swift, Iggy Pop. Nile Rodgers, Questlove, Billie Eilish, Herbie Hancock, Saweetie, Carly Rae Jepsen, Lin-manuel Miranda and members of Metallica and U2, among dozens of other artists. They were among the judges.

The book’s editors reached out to about 500 voters from the world of music — artists, journalist­s, record label figures and Rolling Stone staffers — and asked for their top 50 albums (Stevie Nicks kindly offered 80). They got some 4,000 albums and created a spreadshee­t with weighed points.

On every page, the artists make a fascinatin­g musical tapestry. Take a section in the lower Top 100 — at No. 86 is The Doors’ self-titled debut, followed by “Bitches Brew” by Miles Davis, “Hunky Dory” by David Bowie and, at No. 89, is “Baduizm” by Erykah Badu, connecting gems of classic rock, jazz, prog-rock and R&B.

“Is there a person who loves all those things equally? Probably not. But we hope there’s people who could definitely want to try them all out and see what they think,” Dolan said. “That’s the goal: making connection­s and being introduced to new things.”

Dolan was impressed by some establishe­d artists embracing modern music, like John Cale of the Velvet Undergroun­d championin­g FKA Twigs and Nicks ranking Harry Styles’ “Fine

Line” quite high.

“It’s sweet when these people who have been around are not just poohpoohin­g the younger generation,” he said. “It’s neat when people are voting for things outside of their genre and what you’d expect.”

The book’s or igins started in 2003 when the magazine published its first 500 list, putting The Beatles “Sgt. Pepper’s Lonely Hearts Club Band” at No. 1. It was a pretty Beatleshea­vy list, with three more Fab Four albums making the top 10.

“It had kind of the perspectiv­e of a 45-year- old male rock fan who was open minded, who liked rap a little bit, but kind of patting it on the head, and liked R&B, but was kind of dismissive of the more recent stuff,” he said.

“We really wanted to break away from that perspectiv­e and think the list could actually have many perspectiv­es converging.”

Joni Mitchell’s “Blue” shot up on the new list, going from No. 30 in 2003 to the top 10 now, and Prince and the Revolution’s “Purple Rain” went from No. 76 to No. 8. Another big gainer was Lauryn Hill’s “The Miseducati­on of Lauryn Hill,” which zoomed up from the 300s in 2003 to Top 10 now.

“Certain albums become kind of new classics,” said Dolan. “It is something that’s kind of evolving and up for grabs. And we wanted to kind of at least imply that in doing this one.”

The new list is more inclusive of genres other than rock and so pushed some iconic albums down, like AC/ DC’S “Back in Black” which went from No. 77 to No. 84, now nestled between “Dusty in Memphis” by Dusty Springfiel­d and John Lennon’s “Plastic Ono Band.” (“I’m pretty sure they would accept that company,” Dolan said.)

Some ar t ists’ catalogues have also shifted. Bob Dylan’s “Blood on the

Tracks” leapfrogge­d his “Blonde on Blonde” and “Highway 61 Revisited” this time, and the Beatles’ “Abbey Road” became their top album in the book, over “Sgt. Pepper’s Lonely Hearts Club Band,” “Rubber Soul” and “Revolver.”

“In 20 years, Rolling Stone, whatever entity it is, will do this again at some point,” Dolan said.

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