Piñatas not just for child’s play: They’re a 400- year- old tradition
ACOLMAN, MEXICO>> María de Lourdes Ortiz Zacarías swiftly cuts hundreds of strips of newsprint and colored crepe paper needed to make a piñata, soothed by Norteño music on the radio while measuring pieces by feel.
“The measurement is already in my fingers,” Ortiz Zacarías says with a laugh.
She has been doing this since she was a child, in the family- run business alongside her late mother, who learned the craft from her father. Piñatas haven’t been displaced by more modern customs, and her family has been making a living off them into its fourth generation.
Ortiz Zacarías calls it “my legacy, handed down by my parents and grandparents.”
Business is steady all year, mainly with birthday parties, but it really picks up around Christmas. That’s because piñatas are interwoven with Christian traditions in Mexico.
There are countless designs these days, based on influences from Disney characters to political figures. But the most traditional style of piñata is a sphere with seven spiky cones, which has a religious origin.
Each cone represents one of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy and pride. Hitting the paper- mache globe with a stick is a symbolic blow against sin, with the added advantage of releasing the candy within.
Piñat a s or i g ina l l y weren’t filled with candy, nor made mainly of paper. Grandparents in Mexico can remember a time a few decades ago when piñatas were clay pots covered with paper and filled with hunks of sugar cane, fruits and peanuts. The treats were received quite gladly, although falling pieces of the clay pot posed a hazard.
But the tradition goes back even further. Some say piñatas can be traced to China, where paper- making originated.
In Mexico, they apparently were brought by the Spanish conquerors but may also replicate pre- Hispanic traditions.
Spanish chronicler Juan de Grijalva wrote that piñatas were used by Augustine monks in the early 1500s at a convent in the town of Acolman, just north of Mexico City. The monks received written permission from Pope Sixtus V for holding a year- end Mass as part of the celebration of the birth of Christ.
But the Indigenous population celebrated a holiday around the same time to honor the god of war, Huitzilopochtli. And it used something similar to piñatas in those rites.
The pre- Hispanic rite involved filling clay jars with precious cocoa seeds — the stuff from which chocolate is made — and ceremonially breaking the jars.
“This was the meeting of two worlds,” said Walther Boelsterly, director of Mexico City’s Museum of Popular Art. “The piñata and the celebration were used as a mechanism to convert the native populations to Catholicism.”
Piñatas also are used in Argentina, Bolivia, Colombia, Chile, Peru, Puerto Rico and Venezuela, mainly at children’s parties.
The piñata hasn’t stood still. Popular figures this year range from Barbie to Spider- Man. Ortiz Zacarías’ family makes some new designs most of the year, but around Christmas they return to the seven- pointed style, because of its longstanding association with the holiday.
The family started a business in Acolman, where Ortiz Zacarías’ mother, Romana Zacarías Camacho, was known as “the queen of the piñatas” before her death.
Ortiz Zacarías’ 18- yearold son, Jairo Alberto Hernández Ortiz, is the fourth generation to take up the centuries- old craft.
“This is a family tradition that has a lot of sentimental value for me,” he said.