The Denver Post

El Chapultepe­c is worthy of preservati­on

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If there’s any way for the Monforts to save El Chapultepe­c, we urge them to reconsider their plans to raze this cornerston­e of Denver’s historic jazz and live music culture.

The building on the corner of Market and 20th may not look like much from the outside, and by all accounts, the inside of the building is in bad shape, too, but that’s part of the historic ambiance.

For almost 90 years, El Chapultepe­c was known as a place where local musicians could get their start and rub elbows with world-class performers who were drawn to the unassuming venue by its authentici­ty. Losing that sense of place and identity in Lower Downtown would be a shame.

The daughters of the former owner of the restaurant and live music venue have started the El Chapultepe­c Legacy Project to capture exactly what was lost in 2020 when the venue shut down — another casualty of the COVID-19 economic shutdown. The website captures the storied history of the site.

And Dazzle has committed to preserving the legacy of live music without a cover charge offering free El Chapultepe­c piano bar sets.

Thankfully, that storied history won’t be erased if Kenneth Monfort, the executive vice president of Monfort Companies, demolishes The Pec.

But preservati­on of the physical building or at least preservati­on of the spirit of the venue will not only be good for the community’s heritage, but it could be good for business.

Imagine if Preservati­on Hall, which opened in the 1950s to musicians as a free practice studio, hadn’t survived the redevelopm­ent of the French Quarter in New Orleans? Certainly some would walk past Preservati­on Hall and wonder why the old shanty was still standing without knowing the deep roots planted there. But tourists flock to the hall for some of the best jazz in the city.

Lower downtown has spent the last 30 years gentrifyin­g. Little remains of the eclectic downtown scene that for almost a hundred years drew visitors far and wide for live performanc­es by some of the best local bands and some of the biggest names in music too.

Today, the scene is still lively and vibrant, but it’s dominated by modern architectu­re, fine dining, sports bars, and nightclubs. Even the Tattered Cover book store in the Monfort’s new Mcgregor Square has closed, leaving a bookstore-shaped hole in the heart of Lodo.

Monfort shared documents with The Denver Post indicating the building is unsafe and structural­ly unsound. We have no reason to doubt him. He said it could cost millions to try to preserve the building, and already the company plans to spend $15 million on the block that includes a nice looking historic building next door that was formerly the Giggling Grizzley.

Monfort said the neon green cactus cantina sign will remain at the site and he’s been working with Anna Diaz and Angela Guerrero on their legacy project to incorporat­e some of their work at the site.

All of this is laudable, and we hope no matter what, Monfort pursues capturing the history at the location.

However, the current artist renderings released by the developmen­t company show an openair patio on the corner where El Chapultepe­c now stands. The building may not pretty, or have many windows, and it may be expensive to repair, but for the community, for the city, it’s better than a patio.

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