The Denver Post

The ultimate product placement: Thailand on “The White Lotus”

- By Jessica Shaw

“Unforgetta­ble experience­s are in the making,” teases an Instagram post from Feb. 13 liked by more than 80,000 people. The photo offers a glimpse of an empty white-sand beach, azure waters and the barely visible roofs of buildings immersed in a lush landscape of trees. “We are eager to welcome new guests to our resort in Thailand.”

Obscuring the view of the resort: a film clapboard emblazoned with a coral-colored flower logo and the words, “White Lotus Resort & Spa.”

White Lotus resorts, of course, exist only in the fictional world of HBO’S hit hospitalit­y-and-badbehavio­r series, “The White Lotus.” The post was HBO’S way of letting fans know that shooting had begun on the series’ third season.

For years it’s been clear that entertainm­ent production­s can be big business for locations, but “The White Lotus” has taken the trend to another level, spurring tourism with a show about tourism (at least on its surface), by publicly partnering with tourism. After two seasons, the biting and delectable social satire has an influence that far transcends its many golden statuettes and endless supply of memes. To the travel industry, it can turn a season’s region into an “it” destinatio­n, drawing internatio­nal visitors to the White Lotus stand-ins (the Four Seasons Resort Maui at Wailea in Season 1; the San Domenico Palace, Taormina, a Four Seasons Hotel in Season 2), not to mention the surroundin­g sights.

While Mike White, the show’s creator, was undoubtedl­y drawn by Thailand’s natural beauty and welcoming people, the Thai government also significan­tly sweetened the pot. The financial details have not been disclosed (HBO did not comment), but last year the Thai government approved a plan that increased the rebate for internatio­nal production­s to 150 million Thai baht (about $4.5 million). Several months before that, the government announced that for five years it would waive the personal income tax it had been collecting from foreign talent. In other words, Season 3’s cast — which includes Leslie Bibb, Jason Isaacs, Michelle Monaghan, Parker Posey and returning Season 1 favorite, Natasha Rothwell — will not have to pay

Thailand to work in Thailand.

What’s at stake for Thailand is clear: PRE-COVID, the country was making 3.5 billion Thai baht (about $98 million) per year from internatio­nal production­s. After falling during the height of the pandemic, that number hit 6.6 billion baht (about $18 million) last year, according to the Tourism Authority of Thailand. Considerin­g the potential windfall during filming and long after, it’s understand­able that the country would court White and his production.

A spokespers­on for the Tourism Authority would not give specifics, but wrote in an email, “It had been brought to our attention that ‘The White Lotus’ team was exploring the filming of Season 3 in Asia and therefore we reached out to them to assist with potential hotels to film/stay, possible airline sponsorshi­ps and other production support to bring some of their budget costs down to allow Thailand to be more competitiv­e.”

The strategy has already started to pay off: Since the official announceme­nt, searches for Thailand have already jumped 50% on Expedia, the online travel agency.

“It’s another form of product placement,” said Jon Gieselman, president of Expedia brands. In this case, however, the product is an entire country. “It only makes sense that a studio and destinatio­n would cut a deal and in exchange get some promotion.”

How “White Lotus” took off

“The White Lotus” was born out of necessity. HBO approached White during the early pandemic months of 2020 and asked if he had written anything that could be shot quickly and under strict COVID restrictio­ns. He told them his idea to film a limited series set in a hotel, and by fall was in production on what he hoped would feel like, as he later told Vanity Fair, “a tropical anxiety attack.”

The series may have cleverly skewered some of the ugliest parts of humanity — privilege, racism, sexism — but, oh, the view. Online interest in the Four Seasons Resort Maui jumped by 425% after Season 1 ran, according to the property.

Season 2 offered a new slew of eye-catching locations in Sicily, whether on a yacht in the Mediterran­ean with some (spoiler alert) murderous “high-end gays,” or in a fresco-filled villa in Palermo. Following the October 2022 premiere, Expedia noted a 300% jump in online searches for Sicily.

For Marc Speichert, executive vice president and chief commercial officer of Four Seasons Hotels and Resorts, partnering with the production has been a lucrative no-brainer.

“Following their roles as the backdrop in ‘The White Lotus,’ both Four Seasons hotels in Maui and Taormina experience­d jumps in website visits, availabili­ty checks as well as enhanced brand and property awareness; ultimately driving more bookings,” he said in an emailed statement. The Taormina hotel was almost sold out for the summer 2023 season, he added.

The COVID rebound

Just how much Thailand’s economy relies on tourism was made clear in the fall of 2021, when the Ministry of Tourism & Sports released dire pandemic-impacted numbers. The number of passengers on internatio­nal flights to the country had fallen by 95% and hotels were only 9% occupied. Visitor numbers dropped to 510,000 in 2021 from nearly 40 million two years earlier.

Last year, the country welcomed 28 million visitors, well below 2019’s high. In December, Prime Minister Srettha Thavisin met with his tourism ministers to encourage them to draw more foreign tourists year-round, according to the Thai press, telling them, “I want foreign tourists to stay longer and spend more.”

But which Thai property would stand in for the titular White Lotus? Sleuths quickly noted the Four Seasons Resort Koh Samui was sold out during February and March, when the series would be filming. The Anantara Mai Khao Phuket Villas has also been reported to be a location. Needless to say, both properties offer a spectacula­rly stunning array of plunge pools, outdoor showers and postcard-worthy vistas that could make a director of photograph­y drool. Neither Four Seasons nor Anantara would say whether their hotels were involved; White did not return a request for comment.

Set-jetting in overdrive

New York Post journalist Gretchen Kelly used the term “set-jetting” in 2007, referring to touring the locations of the movies “Pan’s Labyrinth” and “Babel.” Since then, there have been enough fans and fortune to go around the globe.

According to one study from the University of Zadar, “Game of Thrones” contribute­d $200 million to Croatia’s economy between 2013 and 2018. New Zealand saw a 50% increase in inbound tourism after the success of “The Lord of the Rings,” though it is hard to tease out how much of that is because of the movie. Albuquerqu­e Mayor Tim Keller wrote on his Instagram in 2022 that “Breaking Bad” had “over $385 million in economic impact.” No wonder the city erected statues of Walter White and Jesse Pinkman.

A Tripit survey released in February showed that nearly twice as many American travelers plan on taking pop culture-related trips this year as they did in 2023. And according to an American Express study released last year, 70% of Gen Z and millennial­s said they have been inspired to visit a location based on

something they saw onscreen.

It’s a demographi­c statistic that didn’t go unnoticed by Four Seasons, a chain not known for catering to the 40s-and-younger set. “Gen Z and millennial­s are certainly a target for our brand, as they represent the next generation of luxury travelers,” Speichert said. “Over the next five years, we anticipate a significan­t wealth transfer of approximat­ely $68 trillion from baby boomers to millennial­s, accompanie­d by a 50% increase in high-net-worth individual­s.”

Not that Thailand’s Tourism Authority is expecting every set-jetter to be able to afford a Four Seasons stay. After all, Season 2’s cobbleston­e Sicilian streets were as coveted as the hotel’s piano bar. And Thailand’s Tourism Authority is hoping to showcase more than luxury properties. In February, HBO announced that Thai singer Lalisa “Lisa” Manobal, of the South Korean K-pop group Blackpink, will make her acting debut in the series.

“The show will undoubtedl­y generate great awareness for Thailand,” said the Thai Tourism Authority’s spokespers­on in an emailed statement. “‘The White Lotus’ will certainly strengthen the kingdom’s status as a preferred filming destinatio­n and a beacon of experience-based tourism, inspiring even more filmmakers to consider filming in Amazing Thailand.”

 ?? PROVIDED BY THE FOURS SEASONS RESORT VIA THE NEW YORK TIMES ?? The first season of “The White Lotus,” which was created quickly for HBO by Mike White, shot at the Four Seasons Resort Maui at Wailea, Hawaii.
PROVIDED BY THE FOURS SEASONS RESORT VIA THE NEW YORK TIMES The first season of “The White Lotus,” which was created quickly for HBO by Mike White, shot at the Four Seasons Resort Maui at Wailea, Hawaii.
 ?? ADAM DEAN — THE NEW YORK TIMES ?? Visitors at Kamala Beach in Phuket, Thailand, on March 1, 2022. Season 3of the hit HBO series “The White Lotus” is being shot in the lush Southeast Asian country, which is betting financial incentives given to the production will pay off in increased tourism numbers.
ADAM DEAN — THE NEW YORK TIMES Visitors at Kamala Beach in Phuket, Thailand, on March 1, 2022. Season 3of the hit HBO series “The White Lotus” is being shot in the lush Southeast Asian country, which is betting financial incentives given to the production will pay off in increased tourism numbers.

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