Rap­per La­mar leads with 8 noms

Greta Van Fleet, Bet­tye LeVette, Eminem also re­ceive nom­i­na­tions

The Detroit News - - Weekend - Detroit News wires

The mu­sic of “Black Pan­ther,” with Kendrick La­mar in its star­ring role, of­fi­cially owns the 2019 Grammy Awards, where women are heav­ily rep­re­sented in the ma­jor four cat­e­gories fol­low­ing a year where their pres­ence was barely felt.

The Record­ing Acad­emy an­nounced Fri­day that La­mar is the top con­tender with eight nom­i­na­tions, in­clud­ing seven for his mu­si­cal com­pan­ion to the

Marvel Stu­dios jug­ger­naut star­ring

Chad­wick Bose­man and Michael B. Jor­dan. “Black Pan­ther:

The Al­bum, Mu­sic

From and In­spired

By” is up for al­bum of the year, a cat­e­gory where women make up five of the eight nom­i­nees. Cardi B, Kacey Mus­graves, Janelle Monae, H.E.R. and Brandi Carlile also are up for the top prize, along with Drake and Post Malone.

An­other ma­jor con­tender this year is rock band Greta Van Fleet. The young Franken­muth-based quar­tet had per­haps the strong­est Grammy show­ing of any gui­tar-based rock group this year. With nom­i­na­tions in all the ma­jor rock cat­e­gories (per­for­mance, song and al­bum) and an ad­di­tional nod for best new artist, it’s clear that they are the Grammy con­sen­sus pick for 2018’s break­through rock act.

Detroi­ters nom­i­nated Fri­day are Betty LaVette with two nom­i­na­tions for Best Tra­di­tional R&B Per­for­mance and Best Amer­i­cana Al­bum for “Things Have Changed,” and Eminem, who snagged a nom­i­na­tion for Best Rap Song for “Lucky You,” a song on his lat­est al­bum “Kamikaze.”

The up­com­ing Gram­mys is the first where the acad­emy ex­tended its top four cat­e­gories from five nom­i­nees to eight.

The “Pan­ther” nom­i­na­tion would give La­mar a chance to win al­bum of the year af­ter los­ing three times. His

most re­cently loss was in Fe­bru­ary when his crit­i­cally ac­claimed “DAMN” fell short to Bruno Mars’ “24K Magic,” though La­mar’s pro­ject would go on to win a Pulitzer Prize for mu­sic two months later, mak­ing him the first non-clas­si­cal or jazz artist to win the pres­ti­gious honor.

La­mar’s Top 10 hit, the SZA-as­sisted “All the Stars,” is nom­i­nated for both record and song of the year (a song­writer’s award). Five other songs scored nom­i­na­tions in both cat­e­gories, in­clud­ing Lady Gaga and Bradley Cooper’s “Shal­low” from “A Star Is Born”; Child­ish Gam­bino’s “This Is Amer­ica”; Drake’s “God’s Plan”; Zedd, Maren Morris and Grey’s “The Mid­dle”; and Carlile’s “The Joke.”

Ella Mai’s “Boo’d Up” and Shawn Mendes’ “In My Blood” earned song of the year nods, while Post Malone’s “Rock­star” and Cardi B’s “I Like It,” fea­tur­ing Bad Bunny and J Balvin, round out the nom­i­nees for record of the year.

Fol­low­ing La­mar, Drake — the year’s most suc­cess­ful artist — earned seven nom­i­na­tions. Though nom­i­nated for al­bum of the year, he was sur­pris­ingly shut out of best rap al­bum, where his ri­val Pusha T earned a nom­i­na­tion.

Drake’s fre­quent col­lab­o­ra­tor, pro­ducer Boi-1Da, earned six nods, as did Carlile, who also scored nom­i­na­tions in the Amer­i­can Roots cat­e­gory.

Cardi B, Gaga, H.E.R., Morris, Gam­bino, pro­ducer Soun­wave and engi­neer Mike Bozzi scored five nom­i­na­tions each.

The nom­i­nees for the 2019 Gram­mys mark a de­par­ture from this year’s show, where women were un­der­rep­re­sented in the top four cat­e­gories. Of the eight best new artist nom­i­nees, six are women, in­clud­ing H.E.R., Chloe x Halle, Dua Lipa, Margo Price, Bebe Rexha and Jorja Smith. Rock band Greta Van Fleet and coun­try singer Luke Combs also earned nom­i­na­tions.

Record­ing Acad­emy CEO Neil Port­now was crit­i­cized ear­lier this year at the Gram­mys when he said women need to “step up” when asked about the lack of women in the top cat­e­gories, which he later ac­knowl­edged was a “poor choice of words.” It forced the acad­emy to launch a new task force fo­cused on in­clu­sion and diver­sity; Port­now also an­nounced he would be leav­ing the acad­emy in 2019.

“In any given year there could be more folks from one area or one gen­der or one genre or one eth­nic­ity that are mak­ing record­ings and be­ing suc­cess­ful with them than in an­other year. So, in many ways we’re just a re­flec­tion of that,” Port­now said in an in­ter­view with The As­so­ci­ated Press. “This year clearly there were many women not only mak­ing mu­sic, but mak­ing great mu­sic and mak­ing mu­sic that res­onates with our peer vot­ers in terms of ex­cel­lence, and so that cer­tainly is at the fore­front.”

An­other mile­stone for women is in the non-clas­si­cal pro­ducer of the year cat­e­gory, where song­writ­ing ex­traor­di­naire Linda Perry earned a nom­i­na­tion. She’s just the sev­enth woman ever nom­i­nated for the prize and the first since 2004.

“Linda rep­re­sents what we hope be­comes the norm, which is the elim­i­na­tion of gen­der bias in pro­duc­ing and en­gi­neer­ing in our in­dus­try,” Port­now said.

Perry will com­pete with Phar­rell Wil­liams, Boi-1Da, Larry Klein and Kanye West, the only nom­i­na­tion he earned.

Taylor Swift, a two-time al­bum of the year win­ner, also only earned one nom­i­na­tion — her “rep­u­ta­tion” al­bum is up for best pop vo­cal al­bum. Justin Tim­ber­lake, whose “Man of the Woods” al­bums flopped ear­lier this year, picked up a nod for “Say Some­thing,” his col­lab­o­ra­tion with Chris Sta­ple­ton.

Bey­once and Jay-Z, billed as The Carters, as well Ari­ana Grande, didn’t earn any big nom­i­na­tions. The Carters earned two nods in the R&B cat­e­gory, along with best mu­sic video, while Grande picked up two nods in pop.

Artists who were com­pletely snubbed in­clude Car­rie Un­der­wood, Sam Smith, Mi­gos, Kane Brown, Nicki Mi­naj, XXXTenta­cion and Juice

WRLD, whose “Lu­cid Dreams” was one of the year’s big­gest hits.

Some acts scored their first nom­i­na­tions ever, in­clud­ing Florida Ge­or­gia Line, Camila Ca­bello, and Malone.

Brian van der Brug / TNS

Kendrick La­mar got eight nom­i­na­tions, in­clud­ing seven for his mu­si­cal com­pan­ion to the film “Black Pan­ther.”

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