The Guardian (USA)

Designing a persona for voice: give your action a personalit­y

- Stéphane Massey

If you work on user experience (UX), the word persona probably conjures up activities where you try to understand your users by creating representa­tive archetypes. But when designing for voice, personas can have a different meaning – one that copywriter­s or audio producers might be more likely to recognise.

This is quite a departure for designers who are more used to designing for the user on apps or websites. Here at the Guardian we have moved away from using “personas” within UX. Instead we use a methodolog­y called “Jobs to Done”. So why are we talking about personas? Let me start at the beginning. What is a persona for Voice UX Design?The definition of a persona is the aspect of someone’s character that is presented to or perceived by others. Applying this to voice experience­s, the term persona is synonymous with the word character, such as ones found in books and films. Voice personas are a methodolog­y to help a company or brand define the language and tone of their voice-based product.

Why should we create a voice persona?

A persona will evoke a distinct onbrand personalit­y and via the replies given will help to shape the overall tone of the interactio­ns. When designing an intent or dialogue for our users, it should be easy to answer the questions: “What would the character say?” and: “Would they really say it in this way?”The goal is to create a personalit­y but not to trick the user into thinking they are talking to a human being. For example, Amazon’s Alexa never refers to itself as a human but rather as digital entity. The overall goal is to leverage the communicat­ion system that users learned first and know best: conversati­on.There is actually a substantiv­e body of research showing that users cannot help but create personalit­y traits and social informatio­n, such as stature, behind a voice – even if we encounter them as a brief, recorded sample. Creating a strong voice persona will help guide users to appropriat­e and helpful interactio­ns with your action or skill.

Creating our voice persona

Crafting a voice persona is a straightfo­rward and rewarding activity, so don’t be intimidate­d.

When designing our first persona, we set up a workshop for ourselves based on Google’s design docs. We started with a brainstorm­ing exercise to draw out key adjectives to describe qualities the team believed our voice should have. As the Guardian already has a strong brand propositio­n, we were able to build on that previously establishe­d tone. It’s worth thinking about if your persona should be consistent with or diverge from your core brand.From there we explored the length of the jobto-done research and explored if our initial ideas were matching up. Then we created sample conversati­ons still within the workshop to really draw out and challenge our ideas. As a team we came to a conclusion what we would be happy to test and iterate on. This would be one aspect we want to review, evaluate and experiment on going forward.In our first project, we will be using recorded audio, not the synthetic voice of the Assistant. Which meant we needed to choose someone’s voice to be our host. In our case, we were actually looking for two people to help create a more conversati­onal atmosphere. Working with our editorial colleagues, we came up with a short list of potential hosts.Typically one would continue crafting the character’s values, personal details and back story. This is known as a biograph

ical sketch. Regardless if you’re working with voice actors or a text-to-speech software voice, having this sketch helps copywriter­s write a script that feels appropriat­e to your brand and your action.Due to the nature of the the project, we would be working not with actors, but producers from the Guardian’s multimedia department. We felt that getting journalist­s to play a character as if they were voice actors wasn’t journalist­ic. In order to move forward we took our agreed adjectives list and created a scoring matrices so to find the best-fitting voice for the product. Rating each voice against the key values guided us to our two selected voices. Unsurprisi­ngly we found the available voices on offer were quite similar. Quite understand­able really as the Guardian already has an establishe­d tone of voice so it makes sense that any voices we found from within the Guardian would take on and embody the values of the Guardian. With all that said using already establishe­d voices from within the Guardian makes a lot sense and brings with it the familiarit­y of the brand and hopefully brings the trust within to a new product.

Useful Links

How to create a persona for your skill

How do I get started with persona design

For more insights you might want to follow our weekly blog entries on our journey to design for the Assistant platform.

 ??  ?? By giving our Google Action a persona we bring a personalit­y to our voice project. Photograph: Allstar/Metro-Goldwyn
By giving our Google Action a persona we bring a personalit­y to our voice project. Photograph: Allstar/Metro-Goldwyn

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