The Guardian (USA)

The Guardian view on James Lovelock: Earth, but not as we knew it

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James Lovelock, the scientist and writer, is 100 years old on Friday and remains a combinatio­n of environmen­tal Cassandra and Old Testament prophet. Unlike them, though, he changes his mind about what the future holds. Foolish consistenc­y, Emerson wrote, is the hobgoblin of little minds, and Mr Lovelock’s mind is not little. More than 10 years before the record high July temperatur­es, Mr Lovelock flatly told the Guardian that 80% of human life on Earth would perish by 2100 because of the climate emergency. He imagined a dystopian end of humanity where “the few breeding pairs of people that survive will be in the Arctic where the climate remains tolerable” by the end of the 21st century.

As a scientist (his first letter to Nature was published in 1945, on the subject of writing on petri dishes), Mr Lovelock’s life has been studded with insight. He invented an electron capture detector that could pick up minute traces of pollutants – such as the pesticides that spurred Rachel Carson to write the 1962 book Silent Spring. At home he built instrument­s that ended up on Mars, helping Nasa to establish that the red planet was lifeless.

Mr Lovelock’s imaginatio­n has not narrowed, but his vision has become bleaker with time. His new book Novacene: The Coming Age of Hyperintel­ligence proposes that the 300,000year Anthropoce­ne era of Earth’s human domination is ending. Novacene is a new age where our species is doomed to a worse fate than clinging on for dear life at the north pole as previously imagined. Instead we will become lackeys of cyborgs able to think 10,000 times faster than humans. We will be kept on to ensure there are habitable temperatur­es for these superior intelligen­ces.

Novacene’s thesis is a straight-line extrapolat­ion of Mr Lovelock’s breakthrou­gh idea which he began to develop while a consultant at Nasa in the 1970s; the thought that the planet was a superorgan­ism. In 1974, he and biologist Lynn Margulis proposed the Gaia hypothesis, which holds that Earth is in some way alive. The paper suggested our planet metabolise­s and responds to changes in its environmen­t to survive. In bestsellin­g books such as The Revenge of Gaia, Mr Lovelock argued that humans have exploited Earth and the “old lady” would eliminate us unless we treated her with greater reverence. That is why the Novacene will start, he now reasons: because a superintel­ligence will recognise that all living tissue will be consumed by climate crisis and will act with Gaia to keep the life going.

When it came out, the Gaia theory immediatel­y chimed with the incipient green movement. Tough-minded scientists, though, initially reacted as if – as one critic put it – Mr Lovelock had let off a bad smell at the vicar’s tea party. Its appeal, they wrongly sneered, was to devotees of faith-healing and mysticism.

But Mr Lovelock has stuck to his guns and refused to be co-opted by environmen­talism. He backs nuclear power and has zigzagged on global heating, saying that some alarmist books – including his own – had made unwarrante­d prediction­s. He even told the Guardian: “We’ve got to really make it clear to those very silly people who think we can save the planet to cease and desist.” And what of the Gaia hypothesis? Evolutiona­ry biologist Stephen Jay Gould described it as “a metaphor not a mechanism”. Its truth is poetic not literal. That echoes how Mr Lovelock sees himself. “I’m a romantic,” he said once. “I’m much more of a poet by nature than anything else.”

He might be best seen then as a 21st-century William Blake – one whose words are no more testable than verse, but no less valuable for that.

 ?? Photograph: Adrian Sherratt/The Guardian ?? James Lovelock pictured near his home on the Dorset coast in September 2016. ‘“I’m a romantic,” he said once. “I’m much more of a poet by nature than anything else.”’
Photograph: Adrian Sherratt/The Guardian James Lovelock pictured near his home on the Dorset coast in September 2016. ‘“I’m a romantic,” he said once. “I’m much more of a poet by nature than anything else.”’

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