The Guardian (USA)

The 50 best films of 2019 in the US: 21-50

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21 All Is True

Kenneth Branagh and Judi Dench gave us a poignant insight into William Shakespear­e and Anne Hathaway’s later life turmoil in this delicate biopic written by Ben Elton. Read the full review.

22 Honeyland

In this terrific documentar­y shot in North Macedonia, a female beekeeper is rattled by her new, disruptive neighbours. Read the full review.

23 A Beautiful Day in the Neighbourh­ood

Tom Hanks charms as beloved children’s TV figure Mister Rogers in a moving and engrossing departure from a traditiona­l biopic. Read the full review.

24 Harriet

Kasi Lemmons’s belated but remarkable slavery biopic features Indiana Jones-style derring-do and a barnstormi­ng central turn from Cynthia Erivo. Read the full review.

25 One Cut of the Dead

Noises Off meets George Romero in this lively and genre-revitalisi­ng metafictio­nal horror show by Shin’ichirô Ueda. Read the full review.

26 A Hidden Life

Terrence Malick’s rhapsody to a conscienti­ous objector – his second about the second world war - is a highminded hymn to modern saint. Read the full review.

27 In Fabric

Set in an unearthly department store, Peter Strickland’s bizarre ghost story sees Marianne Jean-Baptiste battling a frock from another dimension. Read the full review.

28 Synonyms

Newcomer Tom Mercier excels as an ex-Israeli soldier who ups sticks to

Paris in a big to ditch his national identifica­tion in Nadav Lapid’s latest.

29 The Good Liar

Ian McKellen and Helen Mirren are delicious foils in Bill Condon’s expertly paced and twisty story about an elderly conman who may have met his match. Read the full review.

30 Her Smell

Elisabeth Moss plays the monstrous, self-destructiv­e singer of an allgirl band overtaken by younger, prettier rivals in Alex Ross Perry’s unsettling punk drama. Read the full review.

31 Loro

The film Paolo Sorrentino was born to direct and Toni Servillo born to star in didn’t quite live up to that billing, but this Silvio Berlusconi biopic is still a masterly and fascinatin­g take. Read the full review.

32 Peterloo

Large-canvas history lesson from Mike Leigh, outlining the events surroundin­g the notorious Peterloo massacre in 1819 at a meeting calling for voting reform. Read the full review

33 Amazing Grace

Had Aretha Franklin approved of Sydney Pollack’s transcende­nt 1972 documentar­y, it doubtless would have shown up on our list closer to the time it was shot. Still, better late than never. Read the full review.

34 Clemency

Alfre Woodard is given a rare opportunit­y to lead in a tough-minded drama about a prison warden questionin­g the morality of death row. Read the full review.

35 Birds of Passage

The cost of the Columbian drugs trade to its indigenous people is uncovered in Ciro Guerra’s poetic and shocking drama. Read the full review.

36 The Eyes of Orson Welles

Mark Cousins’ whimsical but heartfelt love letter to the cinematic polymath connects the director’s films to his paintings and drawings. Read the full review.

37 Rafiki

Banned in Kenya until its director sued the government, Wauri Kahiu’s tale of two girls’ secret relationsh­ip is a fine depiction of the first flush of love. Read the full review.

38 Sunset

László Nemes follows Son of Saul with a cryptic and hyper-stylish study of the fracturing Austro-Hungarian empire on the eve of the first world war.

Read the full review.

39 Diego Maradona

After Amy and Senna, Asif Kapadia tackles someone still alive in this gripping study of football, euphoria and catastroph­e. Read the full review.

40 The Lighthouse

Willem Dafoe and Robert Pattinson are lonely masturbati­ng lighthouse keepers in Robert Eggers’ triumphant follow-up to The Witch: a salty, blackand-white Steptoe and Son in hell. Read the full review.

41 Apollo 11

A front row seat for the moon landings? Few could resist this astonishin­g documentar­y featuring previously unseen footage, released for the 50th anniversar­y of Neil Armstrong’s lunar walk. Read the full review.

42 Ray & Liz

Richard Billingham mined his own family for this bleak debut, capturing the claustroph­obic loneliness of a couple cut off from everyone, including each other. Read the full review.

43 Us

Jordan Peele’s follow-up to Get Out was a less obvious slam-dunk, but still an immensely skilful doppelgang­er satire with a gobstoppin­g central turn from Lupita Nyong’o. Read the full review.

44 Dolemite Is My Name

Eddie Murphy’s glorious return is the richly entertaini­ng tale of cult 70s blaxploita­tion star Rudy Ray Moore’s rise from nightclub standup to the movies. Read the full review.

45 The Image Book

Jean-Luc Godard’s latest essay film is a crazed mosaic with power and vitality of a horror movie and all the delight and joie de vivre of the French legend’s finest work. Read the full review.

46

Benjamín Naishtat’s satire, set before the coup that installed a military junta in Argentina, is an enraging – and informativ­e – parable of iniquity about the fate of the disappeare­d. Read the full review.

47 Ad Astra

Brad Pitt goes intergalac­tic in search of long-lost dad Tommy Lee Jones in James Gray’s thrilling Freudian mashup of Apocalypse Now and 2001: A Space Odyssey. Read the full review.

48 Atlantics

Mati Diop’s supernatur­al debut forces young Senegalese lovers to choose between love, duty and servitude, then adds a surreal twist. Read the full review.

49 The Nightingal­e

Jennifer Kent follows up The Babadook with some real-life monsters: the men who ran Tasmania’s penal colonies in the 1820s – one of whom gets some grisly, if just, comeuppanc­e in this gothic thriller. Read the full review.

50 Bombshell

A touch too on the button but still full of poise and acid, this is the story of how Megyn Kelly (Charlize Theron, sporting exemplary prosthetic­s), Gretchen Kelly (Nicole Kidman) and a newcomer played by Margot Robbie toppled Fox News boss and sex pest Roger Ailes (John Lithgow).

 ??  ?? Illustrati­on: Guardian Design/PR
Illustrati­on: Guardian Design/PR
 ??  ?? Terrific … Honeyland. Photograph: Dogwoof films
Terrific … Honeyland. Photograph: Dogwoof films

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