The Guardian (USA)

Gucci channels the inner child at Milan men's fashion week

- Priya Elan in Milan

Gucci closed Milan fashion week with a gothic celebratio­n of childhood.

In front of guests which included Jared Leto, Mark Ronson and Anderson Paak, designer Alessandro Michele mixed classic Gucci elements including loafers, berets and box jackets with Mary Jane shoes, jeans scuffed with grass stains, pelerine socks pulled up to the calf and lunch boxes.

Riffing off the carefree punk spirit of Richard Hell, the babydoll dresses of Courtney Love and the freedom semaphored by Elvis’s rockabilly hair, the show exploded with energy.

The dark spectre of innocence lost hung around the show: a massive pendulum in the middle of the arena swung menacingly and the models walked around the catwalk to Marilyn Manson’s version of Sweet Dreams.

Explaining the idea for the show, Michele said: “Childhood is a free time, there are fewer labels [and] you can be yourself. When you grow up you are told ‘you can’t do that [because] you’re a boy and you’re going to primary school’.”

Michele added that he had sought inspiratio­n for the collection by looking at children’s clothes in markets.

Another source of inspiratio­n was the mentality of Generation Z. “Very young people are aware of what’s going on the world. They embrace change in a way I would find very difficult,” he said, name-checking Billie Eilish and Greta

Thunberg.

After years of showing the women and men’s collection­s together, it was the first time since 2016 that Gucci showed a largely male-only show. Which goes against the trend for many fashion shows to be mixed but also illustrate­d the designer’s ongoing exploratio­n of masculinit­y through his clothes.

“I think menswear is even more experiment­al and stranger [than women’s] because men are allowed less,” he told the trade magazine WWD. “The stereotype of the man is really very narrow, claustroph­obic.”

The press notes for the show, which were presented on lined school notepaper, featured a treatise against toxic masculinit­y and a plea for a kinder, more feminised maleness. “It’s time to celebrate … a baby man able to do bold and playful somersault­s … who wonders in amazement when the world becomes new.”

The show, called Rave Like You Are Five, marked the half decade anniversar­y of the appointmen­t of Michele, who has had a huge influence on menswear, shifting the emphasis towards romantic flourishes and feminised, Maximilian glamour.

Michele has helped Gucci have a bigger cultural impact beyond fashion, influencin­g pop culture through celebritie­s such as Harry Styles and A$AP Rocky.

It has also become a lightning rod around issues of diversity and representa­tion in fashion. Gucci was widely criticised for selling a blackface jumper and during a show in September a model staged a mental health protest on the catwalk after straightja­ckets were used in the collection.

 ?? Photograph: Pietro D’Aprano/Getty Images ?? The Gucci show was called Rave Like You Are Five.
Photograph: Pietro D’Aprano/Getty Images The Gucci show was called Rave Like You Are Five.
 ?? Photograph: Daniele Venturelli/Getty Images for Gucci ?? Gucci designer Alessandro Michele explores themes of masculinit­y and femininity through his clothes.
Photograph: Daniele Venturelli/Getty Images for Gucci Gucci designer Alessandro Michele explores themes of masculinit­y and femininity through his clothes.

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