The Guardian (USA)

The Hunt depicts elites hunting the poor for sport. The 'satire' feels a little too real

- Jessa Crispin

My entertainm­ent options this week were a movie in which “liberal elites” hunt down and murder “deplorable­s” for sport – deaths that are ultra gory and played for laughs – and a Hulu documentar­y in which Hillary

Clinton explains with a chuckle and a smile why the policies supported by her 2016 opponent, Bernie Sanders – policies like universal healthcare and prison reform, which would help countless Americans – are just not “doable”. In other words, essentiall­y the same thing.

The Hunt was supposed to be released last fall, but it was put on hold after some people wondered if a movie about political polarity and divisivene­ss in contempora­ry society, in which a bunch of poor people die violently was really going to be a good idea. Released now, the controvers­y is its main selling point. And – since we are in the beginning stages of a pandemic for which the United States is not remotely prepared and in which the uninsured, elderly, and poor are much more likely to die – well, let’s just say the timing creates a certain tone.

The co-writer and producer Damon Lindelof – who recently read the legendary anti-fascist comic Watchmen and thought, huh, okay, but what if instead we made the cops the heroes? – has created a world where a group of rich, NPR-listening liberals, who bicker about gendered language and whether “black” or “African-American” is the more acceptable term, drug, abduct, and murder Trump voters for sport.

One of the Trump voters actually isn’t a Trump voter but is brought there by mistake, and not being a redneck hillbilly idiot, she manages to fight back. I think that’s a metaphor. For something.

Ultimately the film wants to pretend to be a commentary on cancel culture and our new culture wars. It turns out the whole plan for liberal

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