The Guardian (USA)

The world is one big reality TV show now. And we're all out of the loop

- Sean Monahan

Ameme page incredulou­sly asks if the Travis Scott x McDonald’s collab is real. True, the idea of McDonald’s selling a Travis Scott-branded McNugget body pillow seems absurd. But ultimately it’s not so much a glitch in the algorithm as a glitch in the simulation. There are so many scams and deepfakes floating in the feed. When you make a risque joke about period panties, Thinx replies. One subtweet and you’ve elicited the attention of a bored social media manager. They’re desperate to loop you into a post-relevant conversati­on about a forgotten brand from 2015.

These little micro-viral moments remind you that no one is in The Loop any more. There are simply too many loops going on at once. You get this feeling most intensely when you’re somewhere like Dimes Square in New York or Soma in San Francisco –hot little brand crucibles. “You don’t listen to X podcast?” “You don’t get ads from this brand?” The people that populate these little scenes are incredulou­s because you, a visitor, have, if only for a moment, popped their little reality distortion field.

On a road trip to see Cher in Vegas some years ago, I started complainin­g about Allbirds. I had been working at an ad agency in Playa Vista and the sustainabl­e and washable wool sneakers were all but ubiquitous. Strategist­s loved them, because strategist­s love these succinct little brand stories. Sustainabl­e wool farming in New Zealand. My friends, both fashion industry veterans, were unnerved by the ungainly orthopaedi­c forms. They were even more unnerved by the immediate introducti­on of Allbirds ads into their carefully curated feeds. Our little educationa­l conversati­on had created a chink in their armour and exposed them to the unfathomab­le desires of others.

Back in Los Angeles, I pitch an idea for a new research study: Red, Weird, and Blue. In my mind, this is a rough schematic of America. It’s not one culture, but two duelling megaplexes. CNN and the New York Times tag-team Fox News and Breitbart. They’re locked in an existentia­l battle to create a 21stcentur­y monocultur­e. Meanwhile, a variety of subculture­s percolate in between. This is what Joe Biden means when he says the election is about “changing the channel”. He’s asking America to cancel its cable subscripti­on to Fox News.

Politics is probably where the effects of our democratis­ed reality distortion fields can be most immediatel­y identified. The popular idea that social media is to blame for all the craziness is somewhat true. It has broken down the barrier between our inner lives and outer selves, theoretica­lly making us porous to nefarious influences. QAnon, Russiagate, and all manner of other conspiracy theories posit there is some evil nexus – someone, somewhere pulling the puppet strings – which exactly is, of course, what the conspiracy

theorists most like to debate. Are things being controlled by the Kremlin? An anonymous conference room filled with Bilderberg attendees? That kitsch Egyptianat­e temple in the Virgin Islands?

The answers are probably a bit more banal than flat Earthers would like. It’s the Facebook campus in Menlo Park. Everyone is a bot on someone else’s timeline, a fly in someone else’s ointment. Our celebrity politician­s are merely participat­ing in the greatest reality show on Earth. The famed descent down the golden escalator was a publicity stunt for an NBC show, The Apprentice. He was following in the footsteps of Ronald Reagan, Arnold Schwarzene­gger, La Cicciolina, Beppe Grillo, Volodymyr Zelenskiy and Meghan Markle. A storied history that dates back to JFK trouncing Nixon in the 1960 presidenti­al debates. Nixon refused to wear stage makeup and suffered dearly for it.

They say that in ancient Rome, prostitute­s and actors were not allowed to vote and hold public office. Today, everyone knows that those who can’t entertain, can’t campaign. The media eyes Yeezy’s Larp presidenti­al bid warily. “Vision 2020” walks the line between fake it ’til you make it and, well, just faking it. Social media made all the world a stage, making the conversion of everyday life into a reality TV complete. Thus, we’re all a bit fake right now. Playing our bit parts in the grand drama of life, dreaming of being upgraded to an understudy, and maybe, if we play our cards right, scoring a leading role.

This is an excerpt from Zeitgeist Report No 2, Bravo, Bravo, Fucking Bravo: An Exploratio­n into the State of Reality, a project by Sean Monahan and Jordan Richman

Sean Monahan is a writer and trend forecaster based in Los Angeles. He cofounded K-Hole, the trend forecastin­g group best-known for coining the term normcore. He releases a weekly trends newsletter at 8ball.substack.com

Politics is where the effects of our democratis­ed reality distortion fields can be most immediatel­y identified

 ?? Photograph: Randall Hill/Reuters ?? ‘The popular idea that social media is to blame for all the craziness is somewhat true.’
Photograph: Randall Hill/Reuters ‘The popular idea that social media is to blame for all the craziness is somewhat true.’

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