The Guardian (USA)

In the Same Breath review – Nanfu Wang's shattering Covid-19 documentar­y

- Charles Bramesco

While life ground to a halt for just about everyone in 2020, Nanfu Wang had a most eventful year. Exactly 12 months ago, the Chinese-born film-maker was at the Sundance Film Festival to sit on the World Cinema Documentar­y jury while her two-year-old son stayed with her mother in China to prep for the New Year celebratio­ns. But as the threat of Covid-19 grew more urgent by the day, her husband traveled to the Wang family’s remote village to safely retrieve their child. Soon, she would scuttle her plans to convene with them in Asia after wrapping things up in Park City, and start doing everything she could to coordinate the emergency return of her loved ones from a viral hotspot.

Wise enough to recognize a rich, important subject when it fell into her lap, she immediatel­y got the wheels turning on a documentar­y to follow her well-feted 2019 feature One Child Nation, with the goal of taking a closer look at response on the ground in Wuhan and how it relates to the dire events unfolding in the States. She went to work making contacts with photograph­ers and videograph­ers in China and with journalist­s in the west, most of her quarantine­d days spent sifting through the hours of eye-opening footage sent back to her. And then in October, amid an on-the-fly production poking the bear of a formidable authoritar­ian state, the MacArthur Foundation named her an official fellow and awarded her the coveted “Genius Grant”.

All of which has now circled back to a Sundance gone virtual as Wang premieres her shocking and heartrendi­ng new film In the Same Breath, a cleareyed assessment of government­al failings on both sides of the Pacific. Last summer, Ai Weiwei’s CoroNation weighed the limited personal freedoms of Xi Jinping’s administra­tion against its ruthless efficacy in quashing a crisis, suggesting that repression and oppression may be the cost of a national death toll around 4,000. Wang’s research calls that number into question, its most stunning revelation that “only a fool” would buy the official party line about how well everything went when the real statistics run in the tens of thousands. Her remote yet trenchant investigat­ion found that officials wallpapere­d over a plague with propaganda, the cover-ups and denialism leaving the situation to fester until it became far worse than it ever had to.

The major point of divergence from the handful of coronaviru­s docs already released, which have honed their focus to mishandlin­g in the US or abroad, is Wang’s efforts to connect the two. Drawing on her uniquely apropos perspectiv­e as a Chinese émigré living in the US for the last nine years, she exposes the parallels in the disinforma­tion campaigns coming from the highest levels of authority. Though a viewer in the English-speaking world may see a trace of the dystopian in the montage of Chinese news anchors repeating the exact same lies word for word, they’re not so far removed from the clips of Trump and even public health crusader Dr Anthony Fauci urging a lax attitude in the pandemic’s early days.

Xi’s methods rely on a tightly maintained control and Trump’s seem more rooted in uncaring neglect, and still they’re joined by the impulse to create an image of success as a way of distorting the truth. Human rights activists in the Hubei province are “disappeare­d” without explanatio­n, while doctors in New Jersey get fired from their hospital jobs for speaking to the press. The anti-mask demonstrat­ors crying hoax at town halls stateside find counterpar­ts in the thoroughly deluded widows thanking the party for its benevolenc­e through their tears of grief. The former group is poisoned by skepticism, the latter by credulousn­ess, two sides of a single coin.

Wang builds her political theses around such intimate moments, some touching on her own life. Sobbing mourners recall how they couldn’t hold or see their spouses and parents as they died; ambulance workers race around the city in search of a hospital that won’t turn them away. Passages of pulverizin­g sadness illustrate the fallout of decisions made in the corridors of power, the real-life stakes charging the reportage with terrible, immediate emotion. So potently poignant are these images that an artistic flourish near the end in which time reverses itself to imagine how it all should have played out lands like an overreach, too false in the face of shattering realness.

Business as usual has largely resumed in Wuhan, but Wang’s film contends that that’s just the problem. The same apparatuse­s of messaging and censorship are still in operation, ensuring that the full extent of the malfeasanc­e may never be fully known. Those survivors of the virus still need to live in a country bent on order over all else, whether that’s over there or over here. Their psychologi­cal scarring will last long into the future.

In the Same Breath is screening at the Sundance film festival and will be released on HBO later this year with a UK date to be announced

 ?? Photograph: AP ?? Drawing on her uniquely apropos perspectiv­e as a Chinese émigré living in the US for the last nine years, Nanfu Wang exposes the parallels in the disinforma­tion campaigns coming from the highest levels of authority.
Photograph: AP Drawing on her uniquely apropos perspectiv­e as a Chinese émigré living in the US for the last nine years, Nanfu Wang exposes the parallels in the disinforma­tion campaigns coming from the highest levels of authority.

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