The Guardian (USA)

Digger review – family tensions are unearthed in slow-burn Greek drama

- Phil Hoad

Its plot featuring a giant mining corporatio­n known as “the monster” tearing up the landscape and causing bitter division among the hard-drinking local populace, this handsomely shot drama could be taking place in rustbelt America. But this is backwoods Greece, where forest rancher Nikitas (Vangelis Mourikis), first seen fending off a landslide caused by the miners’ activities, is fighting a running battle to keep them from despoiling the haven he loves. A motorbike throttle at midnight announces the arrival of his estranged son Johnny (Argyris Pandazaras), whose need to claim his inheritanc­e adds to the pressure on Nikitas to ship out.

With this father-son conflict, and a liking for contempora­ry imagery like Johnny’s motocross track to liven up the classicism, director Georgis Grigorakis in his feature debut makes a claim on the same kind of romantic-realist territory as Jacques Audiard.

Father and son are forced to cohabit in Nikitas’s forest cabin; their feuding starts small – he tries to make Johnny wear slippers inside – but gradually becomes inflamed by past grievances. Mourikis, looking like a skulking Leonard Cohen, coolly underplays the resentment and regrets until they explode at the corporate lackeys, like when they cut down his walnut tree.

It’s a shame that, as it ramps up, this generation­al tension isn’t dramatised with the sharpness it might have been. Johnny is more thinly drawn, leaving Digger over-reliant on Nikitas’s selfish idealism – and some occasional­ly onthe-nose scenes revolving around it. Luckily, Grigorakis’ breakdown of the town’s factions is more subtle. And he and cinematogr­apher Giorgos Karvelas not only have an eye for striking visuals, but they know how to use them in amplifying counterpoi­nt: the forest dells are filmed with the protective intimacy Nikitas feels for them, as against the shock and awe of the mining excavator’s behemoth teeth. A bracing backdrop for a world-weary but engaging film.

Released on 16 February on Mubi.

 ?? Photograph: Mubi ?? Deep-lying grievances … Digger.
Photograph: Mubi Deep-lying grievances … Digger.

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