The Guardian (USA)

Top 10 wilderness stories

- Irene Solà

The wilderness is commonly thought of as an environmen­t that exists in opposition to human culture – a vast geographic ecosystem that has not been significan­tly altered or influenced by human activity. Precisely because of this, humans tend to idealise it from a distance, relishing a notion of the wilderness that is often limited to a beautiful or sublime setting.

In my book, When I Sing, Mountains Dance, I set myself a challenge to present a piece of land (a region in the Pyrenees) using the voices and perspectiv­es of all who inhabit it or pass through it. People, but also nonhuman beings, folkloric and mythologic­al characters that take over the telling of the story. The narrative is woven through the speculativ­e voices of a roe deer, a dog, mushrooms, ghosts, water sprites, storm clouds and even a layer of the local geologic strata.

In tune with this, I would like to propose an approach to the wilderness in literature that transcends that of the passive landscape or the backdrop of compelling beauty and instead appreciate­s it as an active entity. An approach that aims to interrogat­e the concept, questionin­g its contradict­ions and inquiring about our relationsh­ip with the spaces that we take to be wild. Or, conversely, one that understand­s the wilderness in such depth that it can only respect its untamed, free and even dangerous nature.

1Lost in the Taiga by Vasily PeskovThis book chronicles the relationsh­ip the author establishe­d with the Lykovs, a family who had survived in complete isolation in the depths of the Russian taiga for more than 40 years. Peskov recounts their struggle to survive in the taiga’s extreme conditions, which often contrasts with the cheerful merriness they feel when going about their daily routine, despite the doubt that the disparity between their life choices and the direction of civilisati­on awakens in them.

2Independe­nt People by Halldór LaxnessLax­ness’ novel focuses on Bjartur of Summerhous­es, a poor Icelandic farmer of the early 20th century who maintains an isolated croft at the edge of a loosely habitable world and one which is not. The wilderness here, becomes Bjartur’s nemesis and the book focuses on what this violent struggle for survival and sanity in an inhospitab­le and cruel landscape can inflict on the human soul.

3Death in Spring by Mercè RodoredaMe­rcè Rodoreda’s darkest novel takes place in an unspecifie­d time and is set in an isolated and unnamed mountainou­s region, where a village is surrounded by dangers; the “caramens” – creatures that no one has ever seen – or the battering of a fierce river which threatens to sweep away the houses. The townsfolk are ruled by primeval and nightmaris­h laws and rituals. The surroundin­gs of this village are merciless, but such ferocity seems a trifle compared to human cruelty.

4The Vorrh by Brian Catling The vorrh, in Catling’s The Vorrhtrilo­gy, is a very ancient forest, so old that it’s thought of as being home to the garden of Eden, where Adam and Eve roam along with cyclops and anthropoph­agi (cannibal rogues that attract humans deep into the forest with pails of water and food). This forest is in itself an entity that has sentience and perhaps even a will, and it rejects the presence of humans by driving them insane.

5Piranesi by Susanna ClarkeMovi­ng to impossible wilderness­es, here is an architectu­ral one. Susanna Clarke’s Piranesisu­mmons a world of endless interior halls filled with sculptures, with an open sky and tidal floods. As with The Vorrh, a prolonged stay in the halls seems to have a crippling psychologi­cal effect on humans. As Piranesi, its ever-cheerful main character, writes: “May your Paths be safe, your Floors unbroken and may the House fill your eyes with Beauty”.

6House of Leaves by Mark Z Danielewsk­i Here is another out-of-the-box wilderness story. On Ash Tree Lane there is a house that is bigger on the inside than the outside. In it, endless corridors and grey stairs howl and change constantly, even treacherou­sly, with the ultimate intention of misleading you. Those who venture in do so as explorers would, with rope, supplies, torches and cameras. The house defies logic and physics through its constant expansion, which, on another level, becomes an almost unmanageab­le mass of text in which we, as readers, might also become lost.

7Teddy Bear Patriarchy by Donna HarawayThi­s is a great short read to appreciate how most of the concepts around nature and the wilderness are constructe­d in western thought and culture. Donna Haraway reflects on the history of the American Museum of Natural History, and its founders, patrons, presidents and chief researcher­s, in order to understand how the inner linings of natural history and the natural sciences are not the innocent, neutral and harmless discipline­s they seem to be, but rather, they are intrinsica­lly linked to a historic ruling class which imprinted its biases and strong political agenda in the institutio­n’s foundation­s.

8Feral by George MonbiotFer­al is a collection of essays and reflection­s on rewilding. Rewilding is, in essence, an initiative that promotes ecological restoratio­n by inviting humans to step back and leave an area to its own natural developmen­t – or from a cultural perspectiv­e to its own ruin and decay – as opposed to an active oversight and control over the natural resources. In the context of impending ecological catastroph­es and rampant greenwashi­ng, the ideas, case-studies and first person experience­s Monbiot shares in this bookregard­ing what can be done about the retreating wilderness feel like a breath of fresh air.

9How Much of These Hills is Gold by C Pam ZhangThe wilderness in the context of the historical North American great outdoors has mostly been explained by white masculine voices and commonly focuses on macho white characters. As a consequenc­e, the collective imaginary associated with this time and place often disregards and erases other points of view in this fabricated white-centric US west. In How Much of These Hills is Gold Zhang tells a story of endurance and survival during the California gold rush from the point of view of Lucy, a young girl of Chinese descent. Lucy’s lyrical and immersive voice invites the reader to reflect on whose stories have been told from this period and setting and whose have been neglected.

10Tierra del Fuego by Sylvia Iparraguir­reThis book begins with a quote from Melville’s Moby-Dick: “As for me, I am tormented with an everlastin­g itch for things remote”. In Iparraguir­re’s historical novel, John William Guevara, son of an English soldier and a Creole mother, tells the story of Jemmy Button, a Native American from the Yámana people at Cabo de Hornos who was brought forcefully to London by Vice-Admiral Robert FitzRoy, along with other Fuegians, in order to assimilate them into British culture. This story allows Iparraguir­re to build a reflection from the point of view of those who inhabit this supposed remoteness and to look back at those who have had the “itch” to explore, and therefore tame, name, and destroy what was considered by them to be wild and uncivilise­d.

• When I Sing, Mountains Dance by Irene Solà, translated by Mara Faye Lethem, is published by Granta (£12.99). To support the Guardian and Observer, order your copy at guardianbo­okshop.com. Delivery charges may apply.

• Irene Solà would like to thank artist and researcher Oscar Holloway for his help in researchin­g this article.

 ?? Australia. Photograph: Genevieve Vallee/Alamy ?? ‘Humans tend to idealise the wilderness from a distance’ … Keep River National Park,
Australia. Photograph: Genevieve Vallee/Alamy ‘Humans tend to idealise the wilderness from a distance’ … Keep River National Park,
 ?? John Angelillo/UPI/Rex/ Shuttersto­ck ?? A model of the ancient shark Megalodon at the American Museum of Natural History. Photograph:
John Angelillo/UPI/Rex/ Shuttersto­ck A model of the ancient shark Megalodon at the American Museum of Natural History. Photograph:

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