The Guardian (USA)

Blood Relatives review – smart vampire comedy with blood and bite

- Phil Hoad

From Let the Right One In to What We Do in the Shadows, the domesticat­ed wing of the vampire genre is getting overcrowde­d. So frequent Rian Johnson collaborat­or Noah Segan has done well to wangle himself a few inches of elbow room in his directoria­l debut with a surprising­ly gentle, ruminative and haunted film concerned with family and belonging. Focused on an estranged father and daughter on the road played by Segan himself and Victoria Moroles, it almost plays out like an undead Paper Moon.

Blood Relatives starts with a Near Dark-like glower, as Segan’s biker-jacketed drifter Francis makes a convenienc­e store stop-off for carb gaskets and haemoglobi­n. When he checks into a motel to escape daylight, he’s collared by obstinate teenager Jane (Moroles), whose mother has just died in Idaho. He scoffs when she claims he passed through their town 15 years ago, the same age as her. But he begins to warm up when she tells him that she must wear sunblock to go outside during the day, and is definitely paying attention by the time she bats the motel clerk, who thinks she is an underage sex worker, into a bloody mess against the wall. It’s Jane’s first kill.

Reluctant father Francis offers to ferry his daughter back to her extended family in Nebraska. Their faltering attempts to forge a relationsh­ip – he lectures her about using a fork when eating raw mince (“You’re not an animal”) – are as melancholi­c as they are funny. The underlying loneliness and need for kin is compounded by his own story, which appears to extend back to the Holocaust. Explaining the origins of “schlepping” to one victim, Francis joins The Fearless Vampire Killers in the (much less crowded) canon of Jewish undead (wafted on by clarinet klezmer on the soundtrack).

With his reedy voice and fractional­ly mis-set eyes, Segan exploits his unsettling qualities in a deadpan performanc­e that he lifts, as director, with pleasingly snappy, almost comicbook-like direction. That, and his pernickety dialogue, show a similar sensibilit­y to pal Rian Johnson’s – as well as the thoughtful undertow that pulls us through some meandering patches as the story unfortunat­ely peters out.

• Blood Relatives is available on digital platforms on 22 November.

 ?? Photograph: Shudder ?? Bloody minded … Victoria Moroles in Blood Relatives.
Photograph: Shudder Bloody minded … Victoria Moroles in Blood Relatives.

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