The Guardian (USA)

Holly Humberston­e review – Brit winner makes a big room feel intimate

- Huw Baines

As the crowd takes up the chorus of Falling Asleep at the Wheel, reverently singing its words unaccompan­ied, Holly Humberston­e forms a heart with her hands and permits herself the briefest of smiles.

This set has been an hour-long trust fall for the 22-year-old, Lincolnshi­reraised singer-songwriter, who is being accompanie­d on her first tour of venues this size by a newly minted band and a helping of industry hype.

Humberston­e’s music – sleek poprock and tasteful electronic­s that surf the ripples made by Maggie Rogers’ viral hit Alaska – chimed with the introspect­ion of the pandemic, and she quickly went from relative anonymity to broadcasti­ng late-night TV appearance­s from the garden of her family home. Subsequent­ly, she was voted BBC Sound of … runner-up in 2021 and won the Brit rising star award the following year.

She admits to nerves throughout, but a minute into The Walls Are Way

Too Thin she is away. Her band, drums and two guitars, one in the hands of a multi-instrument­alist who also covers bass and keys, are solid and unintrusiv­e, pushing her vocals and keenly observed lyrics to the fore so as not to lose the intimacy of her earlier loopbased solo approach.

Humberston­e’s trebly rhythm playing adds a welcome point of difference when set against the gleaming exterior of her more driving songs, particular­ly the standout Overkill, while she is earnest and authentic during London Is Lonely, which viscerally conjures the anxiety of moving to the city. Can You Afford to Lose Me? is a quietly dramatic torch song, her ringing piano and hook cutting through swirling synths and vocal patches.

Much of Humberston­e’s writing concerns growing up, and similarly there are moments tonight when she is grasping for something that’s not quite there. The mid-section is weighted towards ballads, sapping momentum and shining an unforgivin­g light on the melodicall­y slight Friendly Fire and Haunted House. The feeling remains, though, that these are speed bumps on the road to somewhere else. Humberston­e might be figuring out how she functions as a bandleader, but there’s plenty to suggest that she’ll crack the code sooner rather than later.

• At O2 Leeds 23 November. Then touring until 4 December.

 ?? Surfing the ripples … Holly Humberston­e. Photograph: Dave J Hogan/Getty Images ??
Surfing the ripples … Holly Humberston­e. Photograph: Dave J Hogan/Getty Images

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