V&A’s Diva show uses costumes and artefacts to celebrate female creativity
“I will always be as difficult as necessary to achieve the best,” Maria Callas – one of the most renowned and influential opera singers of the 20th century – once said.
For the sentiment, Callas and countless other performers, from Barbra Streisand to Beyoncé and Mariah Carey, have been labelled as “divas”. The term, which means goddess in Italian, has over the years come to denote a selfimportant person, usually a woman, who is demanding and difficult to please.
But in a major exhibition, the V&A is reclaiming the term by celebrating the power and creativity of divas, from the famed sopranos of the Victorian era to today’s global megastars.
Showcasing items such as Callas’s onstage costumes, Edith Piaf ’s little black dress, the sleek fringed dress worn by Marilyn Monroe as Sugar “Kane” in Some Like it Hot (1958) and a Louis XIV-inspired look designed by Sandy Powell and worn by Elton John for his 50th birthday in 1997, the exhibition will explore how the meaning of “diva” has been subverted, and later embraced.
“Today the word diva holds a myriad of meanings,” said exhibition curator Kate Bailey. “At the heart of this exhibition is a story of iconic performers who with creativity, courage and ambition have challenged the status quo and used their voice and their art to redefine and reclaim the diva.”
“DIVA will be the first major exhibition to tackle the subject and to reexamine our perception of the diva in history and in popular culture,” Bailey said.
“The exhibition will feature trailblazing divas who have disrupted the status quo and pushed boundaries through their art and voice –including bohemian performer Sarah Bernhardt worshipped by fans as The Divine Sarah - whose performances in male and female roles were celebrated for their expressiveness, intensity and flamboyance”.
Her other featured highlights included Josephine Baker, “the first global Black superstar, civil rights activist and Second world war spy who showed the world how performance could be a political statement” and Debbie Harry, lead singer of Blondie “and a pioneer for women in punk whose unique, rebellious style and image reveals how the diva can occupy new and changing musical genres”.
Dame Shirley Bassey said: “It is wonderful to see the diva celebrated in this exhibition, and to see the V&A reclaiming the title. To me, ‘diva’ is all about the power of the voice and the ability to entertain, to succeed against odds, to fight, and break through barrier after barrier: to have your voice heard.”
Altogether, Diva showcases more than 250 objects spanning fashion, photography, design, costumes, music and live performance.
Other starry items are the only known surviving dress worn by actor Clara Bow; costumes from fashion designer for the stars Bob Mackie (including looks worn by Tina Turner, P! nk and Cher); Janelle Monáe’s “vulva pants” designed by Duran Lantink for the music video Pynk (2018); and Shirley Bassey’s couture pink gown designed by Julien MacDonald – including diamanté-studded wellington boots – worn on stage at Glastonbury 2017.
The exhibition also looks at how each performer has intersected with society and encouraged social and political change through their platform. For example, it explores how artists such as Billie Holiday, Nina Simone and Ella
Fitzgerald endured backlash, criticism and danger to oppose the status quo, and how Aretha Franklin’s song Respect (1967) became an anthem of women’s empowerment and the US civil rights movement.
Others are spotlighted for making the diva a big part of their brand and expanding into the worlds of business, such as Rihanna, Dolly Parton and Barbra Streisand. And the likes of Grace Jones, Annie Lennox, Prince and Elton John are featured for using costume, androgyny and performance style as tools through which to express relationships with sexuality, gender and the body.
Diva opens at the V&A on 24 June and runs until 7 April 2024