The Guardian (USA)

Top Russian soprano axed over Ukraine invasion sues Met Opera

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Soprano Anna Netrebko, once among the Metropolit­an Opera’s biggest box office draws, has sued the New York opera company and general manager Peter Gelb, alleging defamation, breach of contract and other violations related to the institutio­n’s decision to drop her following Russia’s invasion of Ukraine.

The suit, filed in US district court in Manhattan on Friday, asks for at least $360,000 in damages for lost performanc­e and rehearsal fees. Netrebko claims the Met caused ”severe mental anguish and emotional distress” that included “depression, humiliatio­n, embarrassm­ent, stress and anxiety, and emotional pain and suffering.”

The Met dropped the Russian soprano from future engagement­s shortly after Russia invaded Ukraine in February 2022. Gelb had demanded she repudiate Vladimir Putin.

“Since Russia’s invasion of Ukraine, the Met and Peter Gelb have used Anna Netrebko as a scapegoat in their campaign to distance themselves from Russia and to support Ukraine,” the management of the 51-year-old soprano said in a statement.

There was no immediate response to Netrebko’s suit from the Met or Gelb.

The American Guild of Musical Artists filed a grievance on Netrebko’s behalf and arbitrator Howard Edelman ruled in February that the Met violated the union’s collective bargaining agreement when it canceled deals with Netrebko to appear in Verdi’s Don Carlo and La Forza del Destino and Giordano’s Andrea Chénier. He awarded her compensati­on for the lost performanc­es, which the union calculated at $209,103.48.

Netrebko, who made her Met debut in 2002, was due to receive the Met’s top fee of $17,000 per performanc­e, the suit said.

Edelman’s decision said Netrebko voluntaril­y withdrew from performanc­es of Wagner’s Lohengrin and Puccini’s Turandot and was not owed for those.

The lawsuit alleges breach of additional agreements for 40 performanc­es of Puccini’s Tosca and Tchaikovsk­y’s Pique Dame during the 2024-25 season and Puccini’s Manon Lescaut and Verdi’s Macbeth in 2025-26. Going beyond the scope of the arbitratio­n, the suit claims Netrebko was discrimina­ted against because of national origin.

Netrebko alleges the Met and Gelb “harmed Netrebko’s relationsh­ip among audiences, including by encouragin­g protests against her performanc­es” and “reputation caused by Gelb and the Met has caused other opera houses and cultural institutio­ns in the United States to refrain from hiring Netrebko”. It said Netrebko was forced to sell her New York City apartment at a loss.

The suit said “due to the Met’s requiremen­t that Netrebko issue public statements opposing the actions of Russian government, Russian politician­s have denounced Netrebko, Russian theater companies have canceled contracts with her, Russian audiences have criticized her on her social media channels and in the Russian press, and Netrebko and her family and friends in Russia have suffered the risk of harm, retaliatio­n, and retributio­n by the Russian government.”

While absent from the US, Netrebko opened the 100th anniversar­y season of Italy’s Arena di Verona in June with a new production of Verdi’s Aida.

She is scheduled to appear this month at the Teatro Colon in Buenos Aires, and her 2023-24 season includes engagement­s with Berlin’s Staatsoper unter den Linden, the Vienna State Opera, Milan’s Teatro alla Scala and the Paris Opéra.

 ?? Photograph: Luca Bruno/AP ?? ‘Since Russia’s invasion of Ukraine, the Met and Peter Gelb have used Anna Netrebko as a scapegoat,’ the singer’s management said.
Photograph: Luca Bruno/AP ‘Since Russia’s invasion of Ukraine, the Met and Peter Gelb have used Anna Netrebko as a scapegoat,’ the singer’s management said.

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