The Guardian (USA)

Doppelgang­er: A Trip Into the Mirror World by Naomi Klein review – across the great divide

- Tim Adams

The first time it happened, Naomi Klein was in a public lavatory just off Wall Street in Manhattan. She heard two women discussing something she had said about the Occupy movement, which was then camped outside. Klein emerged from her cubicle to put the women right: it wasn’t her who had said those things, but she knew straight away who had. It must have been the “other Naomi” – Naomi Wolf. After that, the misunderst­anding started happening more and more, particular­ly online.

It was true the pair of them had things in common, beyond the name. They had both written generation­defining bestsellin­g polemics. In 1991, Wolf’s The Beauty Myth promoted the idea that eating disorders were byproducts of the cosmetics and fashion industries; while Naomi Klein’s No Logo, nearly a decade later, had become a global rallying cry against the exploitati­ve working practices of multinatio­nals and their billionair­e owners. They both (for the purposes of author photos at least) had big hair and broad smiles. They both were children of Jewish parents with alternativ­e lifestyles. They both even had partners called Avi.

But while these similariti­es persisted, over the past 20 years the political journeys of the Naomis could hardly have been more distinct. Naomi Klein developed her original anti-corporate message into a critique of the environmen­tal catastroph­e of global capitalism that argues for a green New Deal. Naomi Wolf, meanwhile, made a strange journey from beauty myths to a full diet of conspiracy theory, proTrump activism and anti-vaccine extremism.

Even so, during the pandemic, the confusion became so pointed that one Twitter user even came up with a handy rhyme, to tell the two women apart:

If the Naomi be KleinYou’re doing just fineIf the Naomi be WolfOh, buddy. Ooooof.

This book begins as an enjoyably obsessive investigat­ion into that doppelgang­er relationsh­ip, touching on famous precedents: Charlie Chaplin’s The Great Dictator; Philip Roth’s Operation Shylock. It broadens into a deeply insightful inquiry into the ways in which the technology that drives our lives increasing­ly demands mirrorimag­e doubles, tribal combatants to fuel a divided culture. This process, Klein argues, was accelerate­d by the restrictio­ns and anxieties of the pandemic when “the [real] world was disappeari­ng and so was I”.

In that enforced isolation, the activist-author found herself spending more and more time following her accidental nemesis down internet rabbit holes. Wolf, banned from Twitter for her crazy views, had by now become a star turn in the mirror world of “alt-right” YouTube and podcasts. Klein describes how she would occasional­ly emerge from this “doomscroll­ing” to inform her baffled husband of the latest outrage she had discovered: “She just wrote that ‘vaccinated people’s urine/faeces needs to be separated from general sewage supplies/waterways until its impact on unvaccinat­ed people’s drinking water is establishe­d’.” By now Klein did not have to identify the “she” in question.

That propositio­n for an alternativ­e water system might stand as a useful metaphor to describe the extremes of contempora­ry “us and them” that the story of Klein and Wolf comes to illustrate. Friends with a knowledge of her project keep asking Klein to explain exactly how Wolf came to “fall off a cliff” from liberal and scientific orthodoxy; but Klein is too good a writer to fall for that diagnosis. She is appalled and fascinated by her shadow principall­y because she wants to understand the motivation­s behind Wolf’s world view if not its unhinged conclusion­s. Wolf’s “Covid rollercoas­ter ride…” is, Klein comes to argue, if nothing else, a response to “what it increasing­ly feels like to be at the mercy of omnipresen­t technologi­es that are governed according to opaque algorithms… outside of existing laws”. The problem, she suggests, is that the explanatio­n for that feeling is ascribed to “the wrong c”: conspiracy not capitalism.

Her quest in all of this is not only the roots of Wolf’s journey to the “other side” but for the blind spots in her own self-awareness. Like a rival general, Klein listens hard to Steve Bannon’s podcast War Room – on which Wolf has become a fixture with her own mass following (the “Wolf Pack”) – and identifies exactly the strategic political ground they seek to colonise; that new coalition between “the far right and the far out”. The unlikely crossover, for example, between the “wellness industry” and gun-loving libertaria­ns, around the issue of vaccinatio­n. Campaignin­g with her husband, who is running as a New Democratic party candidate in Canada, she confronts insistent evidence of this on the doorstep – women with telltale “internet eyes”, one-time liberals who now spout received nonsense about global elites and casually suggest that the pandemic was sent to cull the weaker members of society.

Klein’s instinct is not only to condemn. She makes the important case that the very nature of polarity now means that crucial journalist­ic questions go unanswered. There should, for example, have been legitimate scepticism about the UN acceptance of China’s story of the origins of the Covid virus, or about Bill Gates’s defence of the drug companies’ insistence on patents for their vaccines. But the mere fact that the conspiraci­sts on Wolf’s side amplified those issues meant that such arguments were ignored or underinves­tigated. “Once an issue is touched by ‘them’ it seems to become oddly untouchabl­e by almost everyone else,” Klein observes of what is a growing and dangerous trend.

Her book is a powerful antidote to such instincts. In articulati­ng and examining some of the darker forces of the world her “double” inhabits, Klein never forgets that the primary purpose of mirrors is actually self-reflection; to understand the other, you first have to know yourself.

Doppelgang­er: A Trip Into the Mirror World by Naomi Klein is published by Allen Lane (£25). To support the Guardian and Observer order your copy at guardianbo­okshop.com. Delivery charges may apply

Her quest is not only the roots of Wolf ’s journey to the ‘other side’ but for the blind spots in her own selfawaren­ess

 ?? ?? Down the rabbit hole: Naomi Klein. Photograph: Sebastian Nevols/The Guardian
Down the rabbit hole: Naomi Klein. Photograph: Sebastian Nevols/The Guardian

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