The Guardian (USA)

Buffy Sainte-Marie denies allegation­s she misled public about Indigenous ancestry

- Leyland Cecco in Toronto

Folk singer and social justice advocate Buffy Sainte-Marie has denied allegation­s that she misled the public about her Indigenous ancestry, after a Canadian documentar­y questioned the “shifting narrative” surroundin­g her Cree roots.

On Friday, the Canadian Broadcasti­ng Corporatio­n’s investigat­ive wing, the Fifth Estate, published an investigat­ion into the singer’s ancestry, alleging her life story is part of a broader narrative “full of inconsiste­ncies and inaccuraci­es”.

The controvers­ial report from the national broadcaste­r comes after a string of high-profile “pretendian” allegation­s that raise broader questions about the appropriat­ion of Indigenous identity.

Sainte-Marie’s website describes herself as a “Cree singer-songwriter” who is “believed to have been born” in 1941 on the Piapot First Nation reserve in Saskatchew­an. She was reportedly taken from her biological parents when she was an infant and raised by a white family in the US. The singer has previously said that a hospital fire destroyed her birth records.

But the CBC, citing interviews with Sainte-Marie’s family and a birth certificat­e, suggests there is evidence she was born in Stoneham, Massachuse­tts, and has no Indigenous ancestry.

“She wasn’t born in Canada … She’s clearly born in the United States,” Heidi St. Marie, daughter of Sainte-Marie’s older brother, Alan, told the CBC. “She’s clearly not Indigenous or Native American.”

Ahead of the report, Sainte-Marie released a statement on Thursday, calling the allegation­s “deeply hurtful”.

“I have always struggled to answer questions about who I am,” she said. “Through that research what became clear, and what I’ve always been honest about, is that I don’t know where I’m from or who my birth parents were, and I will never know.”

In a recent interview with the Guardian, Sainte-Marie, 82, acknowledg­ed the difficulty in knowing her past.

“As adopted children, we don’t even know when our birthday is,” she said “You spend your entire life asking questions you can’t answer.”

Sainte-Marie has told media outlets she was eventually reunited with her relatives at the Piapot First Nation and adopted by the Piapot family. “My Cree name is Piyasees Kanikamut, which means ‘Singing Bird’. I’m a recognized member of the reservatio­n now,” she told Boston Herald.

Members of the Piapot family said Thursday that questions over SainteMari­e’s ancestry were “hurtful, ignorant, colonial – and racist”.

“No one, including Canada and its government­s, the Indian Act, institutio­ns, media or any person anywhere can deny our family’s inherent right to determine who is a member of our family and community,” Debra and Ntawnis Piapot said in a statement.

“Buffy is our family. We chose her and she chose us. We claim her as a member of our family and all of our family members are from the Piapot First Nation. To us, that holds far more weight than any paper documentat­ion or colonial record keeping ever could.”

An Oscar-winning musician, SainteMari­e recently retired from live performanc­es citing health issues. A fierce advocate of Indigenous peoples, SainteMari­e has been key figure in social justice movements.

But the new questions over her roots come after a string of prominent “pretendian” cases, involving people who falsely adopt Indigenous identity. Earlier this year, former judge MaryEllen Turpel Lafond, who spent most of career advocating for Indigenous rights, was stripped of an award after she was accused of misstating her ancestry.

In some instances, “pretendian­s” have used false identities to access key services or funding allocated for Indigenous peoples.

In September, the Nunavut RCMP charged three women with fraud for claiming Inuit status to obtain scholarshi­p funds meant for Inuit groups. Twin sisters Amira and Nadya Gill are alleged to have falsely identified as Inuit in order to access the money.

Ahead of the CBC report, prominent Indigenous voices questioned the broadcaste­r’s decision to probe SainteMari­e’s ancestry, reflecting her complicate­d legacy as a beloved performer and role model.

Writer Robert Jago questioned the CBC’s decision to publish the report, suggesting Sainte-Marie’s case didn’t appear to reach the threshold for publicly investigat­ing “pretendian” cases.

Pam Palmater, a professor and chair in Indigenous governance at Toronto Metropolit­an University, wrote that the revelation­s had left Indigenous peoples divided, with some feeling betrayed and others supporting her whole heartedlyb­ut both groups were “upset [and] angered” from the story. “Let’s be gentle with one another,” she wrote.

“Buffy has lived her life as an Indigenous woman, and as such, has experience­d all of the ‘lived experience’ that goes along with it- the good and the painful. What is gained by targeting her at this age?” wrote Robyn Michaud, an Indigenous studies professor at Conestoga College. “My heart hurts.”

 ?? ?? Buffy Sainte-Marie in 2009. Photograph: David Levene/The Guardian
Buffy Sainte-Marie in 2009. Photograph: David Levene/The Guardian

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