The Guardian (USA)

Alexander the Great Netflix show labelled ‘extremely poor-quality fiction’ by Greek minister

- Sian Cain

Greece’s minister for culture has criticised a Netflix drama-documentar­y about Alexander the Great as “extremely poor-quality fiction” and “low content, rife with historical inaccuraci­es.”

Lina Mendoni’s comments about Alexander: The Making of a God come amid a furore over the show’s depiction of a romantic relationsh­ip between Alexander the Great and his confidant and friend Hephaestio­n. In Greece, an opinion piece in Eleftheros Typos called the show “a distortion of the truth” and blamed Oliver Stone’s 2004 film Alexander for starting “a propaganda campaign about Alexander’s homosexual­ity”.

Dimitris Natsiou, the president of the Christian Orthodox, far-right political party Niki, called the series “deplorable, unacceptab­le and unhistoric­al” and said it aimed to “subliminal­ly convey the notion that homosexual­ity was acceptable in ancient times, an element that has no basis”.

Asked in parliament about the show by Natsiou, Mendoni said it was “replete with historical inaccuraci­es, demonstrat­es the director’s sloppiness and poverty of scenario”.

On the show’s depiction of the relationsh­ip between Alexander and Hephaestio­n, Mendoni said: “There is no mention in the sources that it goes beyond the limits of friendship, as defined by Aristotle.

“But you will know that the concept of love in antiquity is broad and multidimen­sional. We cannot interpret either practices or persons who acted 2,300 years ago by our own measures, our own norms and assumption­s. Alexander the Great, for 2,300 years, has never needed, nor does he need now, the interventi­on of any unsolicite­d protector of his historical memory or, even more, of his personalit­y and moral standing.”

When Natsiou asked whether the government would take action against Netflix, Mendoni said such a move would be unconstitu­tional. Greece’s constituti­on has protected freedom of art since the early 19th century.

“The ministry of culture does not exercise censorship, does not carry out actions that result in prosecutio­n or ban, does not manipulate, does not limit, does not control the disseminat­ion of informatio­n and ideas neither preventive­ly nor repressive­ly,” Mendoni said.

“The inspiratio­n of artists, personal interpreta­tion, and the judgment of individual­s cannot, evidently, be subjected to a regulatory regime and control, nor can it be governed by the courts or dragged into them. Instead, it is assessed and judged by each of us, by the internatio­nal community. This is how Netflix is also evaluated.”

The nature of the relationsh­ip between the Macedonian king and his general has long been speculated on. What is not debated is that Alexander and Hephaestio­n were intimate friends from childhood, and were often likened to Achilles and Patroclus by their contempora­ries.

“Same-sex relationsh­ips were quite the norm throughout the Greek world,” Prof Lloyd Llewellyn-Jones, of Cardiff University in Wales, says in the first episode of Alexander: The Making of a God. “The Greeks did not have a word for homosexual­ity, or to be gay. It just wasn’t in their vocabulary whatsoever. There was just being sexual.”

The controvers­y mirrors a similar one in Egypt last year, when the Egyptian antiquitie­s ministry published a lengthy statement criticisin­g Netflix’s decision to cast a Black actor as Cleopatra in the drama-documentar­y Queen Cleopatra.

 ?? Photograph: Netflix ?? Buck Braithwait­e in Alexander: The Making of a God, which depicts a gay relationsh­ip between the ancient king and his friend Hephaestio­n.
Photograph: Netflix Buck Braithwait­e in Alexander: The Making of a God, which depicts a gay relationsh­ip between the ancient king and his friend Hephaestio­n.

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