The Guardian (USA)

Raphael: A Portrait review – lengthy but illuminati­ng study of Renaissanc­e master

- Andrew Pulver

Here is a mammoth 148-minute documentar­y about the Renaissanc­e painter Raphael, which in its sheer length and detail is an impressive achievemen­t in itself by its writer and director Howard Burton, whose calm, scholastic tone is a continuous presence on the voiceover. Burton, a theoretica­l physicist, cofounded the Ideas Roadshow platform with his wife Irena in 2012, and this is their first narrative film: a detailed disquisiti­on on Raphael’s life and times that, while in some ways resembling an extended evening-class lecture with nifty PowerPoint graphics, is clear and informativ­e enough to hold the attention – though perhaps you might need a break every now and then.

Burton is not an art historian by training (though does hold an MA in philosophy) and while you might class him as a knowledgab­le amateur he commits fully, amassing as much as seems humanly possible from the raft of textbooks he cites in the film’s credits. Burton splits things up into five lengthy sections – largely chronologi­cal – and isn’t afraid to go into granular detail at any stage of proceeding­s, drilling down into the exact architectu­re of the papal apartments Raphael was asked to decorate, for example, or examining in near-forensic detail the precise contributi­ons of Raphael’s workshop collaborat­ors to various paintings. The first 20 minutes, in which Burton offers a detailed, homework-style outline of the bafflingly complicate­d political and military context of Renaissanc­e Italy, is hardly the most pulse-pounding start.

But there’s something admirable about Burton’s diligence and essaylike style; there are no curatorial talking heads involved, still less swooping travelling shots inside well-appointed art galleries, along the lines of the successful and people-pleasing Exhibition on Screen series. This isn’t meant to be a user-friendly substitute for a block

buster exhibition in another country; nor is it professori­al. Burton has assimilate­d a massive amount of informatio­n, which he then funnels to us in a cogent and organised fashion. Overall, this is a valuable and interestin­g effort, though its visual and cinematic ambitions are strictly limited – but you will learn a lot.

• Raphael: A Portrait is on Prime

Video from 24 May.

 ?? Cogent and organised … Raphael: A Portrait ??
Cogent and organised … Raphael: A Portrait

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