The Hollywood Reporter (Weekly) - The Hollywood Reporter Awards Special

Tailoring Television Time-Hops

WandaVisio­n’s Emmy-nominated costume designer Mayes C. Rubeo created a decades-spanning look book of wardrobe options for Disney+’s limited series

- By Tyler Coates

WandaVisio­n’s Emmy-nominated costume designer Mayes C. Rubeo created a decades-spanning look book of wardrobe options for the Disney+ limited series. Plus: Robert Lopez and Kirsten Anderson-Lopez on finding the right “witchy” tune for the show.

At the onset of Disney+’s WandaVisio­n, Mayes C. Rubeo found herself a little bit out of her comfort zone. “I had never done television before,” admits the costume designer, who was Emmy-nominated for her first venture. Rubeo had worked on massive production­s — she designed costumes for Apocalypto, Avatar and World War Z and had entered the Marvel Cinematic Universe with Thor: Ragnarok.(Jojo Rabbit, her second collaborat­ion with Ragnarok director Taika Waititi, earned her an Oscar nomination.) But Rubeo shares that working in the episodic medium felt familiar, particular­ly because of WandaVisio­n’s large scale and scope. “This one was a mind-twister,” Rubeo says. “It was very smart writing and [offered] great material for my costumes.” Because of the meta nature of the limited series, in which each episode resembles a sitcom from a different era, Rubeo researched a lot of television history — even though she still approaches her craft as an element of cinema. “Streaming or 35 millimeter, whatever it is — it doesn’t change much for me,” she says. “I treat everything as filmmaking.” The result is a grab bag of looks, including costumes inspired by classic TV that balance camp with realism; superhero uniforms, both vintage and contempora­ry, perfect fits for two Avengers; and little clues that gave hints to one of the series’ biggest surprises: the witchy reveal of Agatha Harkness, played by scene-stealer Kathryn Hahn.

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 ??  ?? 1-2 “We wanted to honor all the old sitcoms,” says costume designer Mayes C. Rubeo, who used I Love Lucy as a reference point when designing Wanda’s full dress and Vision’s tailored suit for the series’ pilot. 3 Kathryn Hahn, a consistent source of comic relief through the series as Agatha, wears one of the ’80s looks. 4-5 As the series progressed, Rubeo took advantage of primary colors and bold patterns, just as TV designers did in the ’60s and ’70s with the advent of Technicolo­r. 6-7 The Halloween-set episode finds Wanda donning the original Scarlet Witch costume as seen in the source-material comic books — complete with clashing pink tights. 8-9 Teyonah Parris in one of the ’70s-inspired looks, which references “the velvet suits and lacy collars” of shows like The Partridge Family.
1-2 “We wanted to honor all the old sitcoms,” says costume designer Mayes C. Rubeo, who used I Love Lucy as a reference point when designing Wanda’s full dress and Vision’s tailored suit for the series’ pilot. 3 Kathryn Hahn, a consistent source of comic relief through the series as Agatha, wears one of the ’80s looks. 4-5 As the series progressed, Rubeo took advantage of primary colors and bold patterns, just as TV designers did in the ’60s and ’70s with the advent of Technicolo­r. 6-7 The Halloween-set episode finds Wanda donning the original Scarlet Witch costume as seen in the source-material comic books — complete with clashing pink tights. 8-9 Teyonah Parris in one of the ’70s-inspired looks, which references “the velvet suits and lacy collars” of shows like The Partridge Family.
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