The Hollywood Reporter (Weekly)

CAN A PGA NOMINATION BOOST A BLOCKBUSTE­R’S OSCAR CHANCES?

Producers Guild honorees typically go on to earn Oscar nods for best picture. This year, three critically acclaimed blockbuste­rs are hoping to stake their claim in the race

- BY TYLER COATES

Ever since the Oscar category for best picture was expanded to include 10 potential nominees (a response to the outcry when commercial and critical hits The Dark Knight and Wall-E failed to claim one of the category’s five slots in 2008), the Academy has attempted to balance its top category with typical awards season fare and crowd-pleasing box office successes.

For the second pandemic-era Oscars, however, the latter category is still limited given that newly reopened theaters across the country saw hesitant audiences make slow returns to the multiplexe­s. While this year’s race, like 2021, is dominated by streaming titles, the distributo­rs who did land their features on the big screen are hoping their box office gambles will pay off when the Oscar nomination­s are announced Feb. 8. The PGA Award nomination­s, to be revealed Jan. 13, may give a first look at the prospectiv­e best picture lineup.

The Producers Guild counts among its members some of the Hollywood players most concerned about box office returns, and the guild has recognized popular fare among its 10 nominees for best theatrical motion picture more often than the Academy has for its top prize. While PGA winners historical­ly earn Oscar noms for best picture (and are typically frontrunne­rs for the award), a nomination doesn’t guarantee the Academy’s notice. Take, for example, films like 2019’s Knives Out, 2018’s Crazy Rich Asians, 2017’s Wonder Woman, 2016’s Deadpool and 2015’s Straight Outta Compton. Each of these titles cleared the $100 million mark and earned critical acclaim and numerous accolades. But despite their PGA nomination­s, they failed to land an Oscar nom for best picture.

This year, however, could be a completely different ballgame. As the theatrical experience was upended by the pandemic, the return of the blockbuste­r was a welcome event, even if box office totals paled in comparison to prepandemi­c numbers. Three tentpole releases opened to both critical acclaim and eager audiences, and a PGA nom could give each a boost in its Oscar chances.

Warner Bros.’ Dune, which opened to

$41 million at the domestic box office Oct. 22 with a simultaneo­us release on HBO Max and

has since grossed $107 million, is a strong contender for best picture as well as in various crafts categories. Director Denis Villeneuve (who produced alongside Mary Parent, Cale Boyter and Joe Caracciolo Jr.) was an Oscar nominee for 2016’s Arrival, which also earned a best picture nom. The sci-fi epic is a mature, prestige genre film in the vein of best picture nominees Mad Max: Fury Road, The Martian and Gravity (all of which also earned PGA noms).

MGM/UA’s No Time to Die (produced by Barbara Broccoli and Michael G. Wilson) could make history as the first James Bond film to earn a best picture Oscar nomination. The longdelaye­d film, pushed back from its original 2020 release date, has earned $160.7 million domestical­ly. A PGA nom wouldn’t

be shocking; Skyfall was one of the guild’s 10 nominees in 2013.

And then there’s the biggest box office behemoth of the year: Sony/Marvel’s SpiderMan: No Way Home (produced by Amy Pascal and Kevin Feige), the third entry in the latest Spider-Man series that has earned over $600 million domestical­ly since its Dec. 15 release. Marvel has embarked on a best picture campaign, and a nomination would not be the studio’s first — Black Panther earned a nod in 2019 (as well as a PGA nom). If Academy voters hope to see more populist films in the best picture race, Spider-Man may have a great chance — and a PGA nomination would bolster the argument that a blockbuste­r of its kind deserves just as much notice from the Academy as a critically acclaimed drama.

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 ?? ?? From left: Sony’s Amy Pascal and Marvel’s Kevin Feige, who produced
Spider-Man: No Way Home; Barbara Broccoli and Michael G. Wilson, producers of MGM-UA’s
No Time to Die.
From left: Sony’s Amy Pascal and Marvel’s Kevin Feige, who produced Spider-Man: No Way Home; Barbara Broccoli and Michael G. Wilson, producers of MGM-UA’s No Time to Die.
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 ?? ?? 1 Zendaya and Tom Holland (in costume) in Spider-Man: No Way Home. 2 Daniel Craig in No Time to Die. 3 Rebecca Ferguson, Zendaya, Javier Bardem and Timothée Chalamet in Dune.
1 Zendaya and Tom Holland (in costume) in Spider-Man: No Way Home. 2 Daniel Craig in No Time to Die. 3 Rebecca Ferguson, Zendaya, Javier Bardem and Timothée Chalamet in Dune.
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Villeneuve
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Boyter
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Parent

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