The Hollywood Reporter (Weekly)

China’s New Year Bonanza Awaits

Box office grosses for local films could hit highs over the holiday

- BY PATRICK BRZESKI

As moviegoing in North America and Europe is getting battered amid omicron, China’s theatrical film sector is revving up to set a slew of box office records. The country’s weeklong Chinese New Year holiday period, always a bonanza for local studios and exhibitors, kicks off Feb. 1, and analysts believe a bumper crop of high-profile potential blockbuste­rs — eight local titles are scheduled for simultaneo­us release this year — could lift the market to unpreceden­ted heights. This year’s Chinese New Year season could reach a highwater mark of $1.3 billion to $1.4 billion (RMB 8 billion to RMB 8.5 billion),” says Rance Pow, president of cinema industry consultanc­y Artisan Gateway.

Leading the charge is The Battle at Lake Changjin 2: Water Gate Bridge, the second installmen­t in a nationalis­tic war saga that last year became China’s top-grossing movie with $901.5 million. Other top contenders this year include the drama Nice View, director Wen Muye’s follow-up to his 2018 hit Dying to Survive ($451 million); and the comedy Only Fools Rush In, from blogger turned fan-favorite director Han Han

(his previous release, Pegasus, earned $256 million in 2019); local filmmaking legend Zhang Yimou’s Korean War biopic, Sharpshoot­er; and the comedy caper Too Cool to Kill, from relative newcomer Xing Wenxiong. Unfortunat­ely for Hollywood, Beijing blocks all foreign film releases during the family holiday (sorry, Spider-Man: No Way Home or Moonfall). It’s a practice U.S. trade negotiator­s have lamented with little effect for more than a decade as all gains go only to the local Chinese industry.

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