The Hollywood Reporter (Weekly)

The Secret L.A. Warehouse Where Stars Stow Clothing Collection­s

Chloë Sevigny and other celebs look to The Wardrobe, which has opened its first West Coast location, to archive dresses worn to the Oscars, in films and more: ‘I was not storing things properly’

- By Degen Pener

Inside a warehouse in an undisclose­d location in Los Angeles’ South Bay, a shipment of clothes belonging to Chloë Sevigny recently arrived. They are being photograph­ed, cataloged with barcodes and properly boxed and hung by The Wardrobe, a New York storage and preservati­on company that recently opened its first archive in the L.A. area.

“I’d just been holding onto everything for so long now and not storing things properly, from my first communion dress to my Oscar dress [a YSL in 2000 for Boys Don’t Cry] and my Golden Globes dresses,” says Sevigny. “I have almost everything.”

Sevigny connected with The Wardrobe founder Julie Ann Clauss over Instagram. The two met up at the actress’ storage unit in Connecticu­t and began sorting through her trove of clothes. The items include spring 1996 Miu Miu designs (“I was in one of their first campaigns, and they gave me the entire collection,” she says); a blue T-shirt from her breakout role in 1995’s Kids; and Alexander McQueen and Proenza Schouler dresses worn to the Met Gala.

Some of Sevigny’s things had been destroyed by moths over the years, including a box of Alaïa pieces; now everything that’s in the hands of The Wardrobe is stored in a temperatur­econtrolle­d environmen­t with an optimum humidity of 50 percent. “You don’t want things too dry — then they crack,” says Clauss, who has a master’s in the history of fashion and textiles from FIT and worked for Tom Ford before starting her company in 2011.

As she walks around the warehouse, Clauss points out a newly accessione­d garment that had previously not been properly stored. “You can see it’s not very happy — the shoulder line will be destroyed,” she says of a dress on a hanger that will be transferre­d to a box and laid flat.

Clauss — whose clients include another Oscar nominee, a multi-Grammy winner and designers like Ford — offers a quick peek inside an enormous room that houses an archive for an unnamed star. “It’s everything that gets worn on tour, every performanc­e, every red carpet appearance and things that are publicly seen on Instagram,” notes Clauss, adding that all of her clients can access digital records of their collection­s. Prices start at $350 a month.

The work of archiving collection­s also includes properly identifyin­g where and when clothing was worn. Says Sevigny, who next stars as socialite C.Z. Guest (“my first glamorous part in a really long time”) in the second installmen­t of Ryan Murphy’s Feud: “We’ve managed to find pictures of me in the garments to help commodify them in the future if we want to [sell] something for charity or [keep things] for my son. It’s just good to know it’s taken care of.”

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 ?? Gummo, ?? 1 Sevigny bought this jacket from actress Linda Manz, who wore it in 1980’s Out of the Blue.
2 A Zandra Rhodes dress worn by Sevigny to the Tribeca Film Festival in 2002. 3 A dress being photograph­ed as part of The Wardrobe’s accessioni­ng process. 4 Bunny ears from the 1997 film which starred Sevigny.
Gummo, 1 Sevigny bought this jacket from actress Linda Manz, who wore it in 1980’s Out of the Blue. 2 A Zandra Rhodes dress worn by Sevigny to the Tribeca Film Festival in 2002. 3 A dress being photograph­ed as part of The Wardrobe’s accessioni­ng process. 4 Bunny ears from the 1997 film which starred Sevigny.
 ?? Big Love. ?? Chloë Sevigny wore Valentino in 2010 when she won a Golden Globe for
Big Love. Chloë Sevigny wore Valentino in 2010 when she won a Golden Globe for
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Clauss

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