The Mercury News Weekend

A timely look at present-day life with ‘T2: Trainspott­ing.’

‘T2’ catches up with where the aimless Gen-Xers of the first film are today

- By Sandy Cohen

Nostalgia can be tricky, casting a rose-colored glow on memories that may not deserve it. Do we look back fondly on our youth because it was so magical or simply because it was our youth, with so many mistakes yet to be made?

That question is central in “T2 Trainspott­ing,” which is all about the hazy warmth of nostalgia, both for its characters and its audience. Twentyone years after “Trainspott­ing” shocked moviegoers with depictions of drug use and directionl­ess Gen-Xers, “T2” reunites the original writer, director and cast for another timely look at presentday life.

These characters, who whiled away their 20s with heroin and petty crime in a cult film that captured the frustrated voice of a generation, are now middleaged, with all the perspectiv­e and regret the passage of time can bring.

Of course, director Danny Boyle, screenwrit­er John Hodge and stars Ewan McGregor, Jonny Lee Miller, Ewen Bremner and Robert Carlyle have experience­d that same passage of time, making “T2” even more poignant than an ordinary movie about male friendship­s. Here, the fictional characters and real filmmakers are facing the same challenges of aging and adulthood and of returning to a formative place after two decades and reflecting on what’s happened since.

Mark Renton (McGregor), who kicked drugs and ripped off his friends in the original “Trainspott­ing,” comes back to Edinburgh as his life is falling apart. He pursued exactly the kind of mainstream lifestyle he railed against in the film’s famous “choose life” monologue. Despite having a wife, a house, a corporate job and a gym membership, Renton is miserable.

He finds Sick Boy (Miller), now known as Simon, still living on the fringe. With the same bleached-blond hair he had in his 20s, Simon supports his cocaine habit by secretly filming and

blackmaili­ng men who sleep with his prostitute girlfriend.

Spud (Bremner) is still struggling with heroin addiction, and has seen his personal relationsh­ips crumble. Begbie (Carlyle) is still in jail. All hold grudges against Renton, who has come to make amends.

There’s a maturity and a seriousnes­s to “T2” that were absent from the original. If “Trainspott­ing” was an irreverent kid who considered heroin a playful pastime and thievery an essential life component, “T2” is its wizened older brother who understand­s consequenc­es. (Note to viewers: While “T2” offers enough explicatio­n to stand alone, those who’ve seen the original will get more from the sequel.)

There’s a lot of fun to be had in “T2.” Boyle plays with some of the cinematic tricks that were so eye-popping in the original, though they look less groundbrea­king here. There’s also a thrilling heist, a punchy soundtrack and an excellent update of Renton’s “choose life” speech. And Spud emerges as the heart of the story.

Rather than romanticiz­ing their drug-fueled youth, “T2” is about accepting reality and finding value in it. These guys aren’t thumbing their nose at society, as they did 20 years ago. They recognize they’re part of society, whether they like it or not, and their lives — no matter how messed up — are theirs to live.

‘T2’ is a story of redemption, as each of the characters makes peace with his past. For these four guys, what matters at midlife isn’t rebellion, but friendship, family and seeing things as they are.

 ?? SONY— TRISTAR PICTURES ?? Ewan McGregor, left, and Ewen Bremner meet again in “T2: Trainspott­ing” as older and somewhat wiser versions of their characters Mark and Spud. Below, Jonny Lee Miller’s Sick Boy character is now known as Simon.
SONY— TRISTAR PICTURES Ewan McGregor, left, and Ewen Bremner meet again in “T2: Trainspott­ing” as older and somewhat wiser versions of their characters Mark and Spud. Below, Jonny Lee Miller’s Sick Boy character is now known as Simon.
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