The Mercury News

It’s swan song time for the Cypress

- Contact Cheryl North at cherylnort­h@hotmail.com.

Time indeed seems to fly when you’re having fun. For the past two decades, violinists Cecily Ward and Tom Stone, in collaborat­ion with violist Ethan Filner and cellist Jennifer Kloetzel, have been having some exceedingl­y happy times combining their formidable musical skills into what has ultimately become one of our nation’s most respected string quartets: the Cypress String Quartet.

Taking the name from the elegant set of string quartet movements arranged in 1865 by Czech composer Antonin Dvorak (based on 12 lyric love songs he wrote 22 years earlier), the ensemble has distinguis­hed itself serving as visiting artists at such universiti­es as Harvard, Stanford, UC Berkeley and more, as well as extending their music making to nontraditi­onal venues in art galleries, private residences and even boardrooms.

Throughout this past May, Cypress has played through all of Beethoven’s string quartets during free performanc­es at unusual venues all over San Francisco, beginning with a morning concert at St. Anthony’s Dining Room on May 4 and ending with an afternoon concert featuring Beethoven’s Grosse Fuge at Yerba Buena Gardens. In between were performanc­es at Point Lobos near the Cliff House, San Francisco’s City Hall Rotunda and General Hospital, the Justin Herman Plaza near the Ferry Building, the Persia Triangle at Ocean and Mission, and more. What a way to celebrate a 20th anniversar­y!

While the Cypress musicians are among the world’s best, the instrument­s they play to dazzle their audiences are among the world’s historic best. These include a 1681 violin made by Antonio Stradivari, as well as a 1733 violin crafted by Carlos Bergonzi, a viola built by Vittorio Bellarossa in 1947 and a 1701 cello made by Hieronymus Amati.

The quartet has recorded more than 15 albums distribute­d worldwide and presented thousands of concerts throughout the world. The group has even recorded for the Netflix original series “House of Cards.”

What could be next — perhaps retirement?

Yes — at least for the time being. Their final local performanc­e as the Cypress String Quartet will be a special “Farewell Concert” for the San Francisco Bay Area. The program touches on the hallmarks of the quartet’s storied career: Beethoven’s String Quartet No. 11, Opus 95 “Serioso,” as well as works by Debussy and Cypresscom­missioned composers Elena Ruehr, Jennifer Higdon, Philippe Hersant and Benjamin Lees.

Details: 3 p.m. Sunday at the Taube Atrium Theater, San Francisco War Memorial Building, 401 Van Ness Ave; $100 up to $5,000 for tickets that include a catered reception; 415-500-2150, www. cypressqua­rtet.com. CHAMBER MUSIC ORIGINS: Chamber music abounds in the Bay Area this coming week. As a specific genre, it made its first appearance­s in Europe in the late 17th century at a time before public concert-giving began. Prior to that, set musical performanc­es fell into three classes: those in the church, the theater and in the halls of royalty or the aristocrac­y.

Composers were writing more intimate music, and whether vocal or instrument­al, their performanc­es in smaller, more intimate places were designated as chamber music (Kammermusi­k). Some of the initial, and many still enduring, instrument­al combinatio­ns were duet sonatas for piano combined with an individual string, woodwind or brass instrument, as well as string trios and string quartets and quintets.

On Sunday, some of the Bay Area’s best individual instrument­alists, all from the San Francisco Symphony, are assembling at Davies Symphony Hall for a feast of more modern-day chamber music. The works they have chosen are Gabriel Faure’s dramatic and emotionall­y intense Piano Quartet No. 2, a work described as possessing impression­istic elements later used by Debussy; Bela Bartok’s imaginativ­e “Contrasts,” (would you believe this piece was commission­ed by American jazz great Benny Goodman?); and Erwin Schulhoff’s “Duo for Violin and Cello,” dedicated to fellow Czech Leos Janacek, composer of “Jenufa,” currently being performed by the San Francisco Opera. Among the San Francisco Symphony musicians participat­ing will be David Goldblatt, cello; Katie Kadarauch, viola; Elina Lev, Leor Maltinski and Florin Parvulescu, violin; Jerome Simas, clarinet; Elizabeth Schumann and Eric Zivian, piano; Jerome Simas, clarinet; and Amos Yang, cello.

Details: 2 p.m., Sunday, Davies Symphony Hall, 201 Van Ness Ave.; $38; 415-864-6000, www. sfsymphony.org.

 ?? GREGORY GOODS/CYPRESS STRING QUARTET ?? The Cypress String Quartet — from left, Tom Stone (violin), Ethan Filner (viola), Jennifer Kloetzel (cello) and Cecily Ward (violin) — performs its final San Francisco concert Sunday afternoon at the Dianne and Tad Taube Atrium Theater.
GREGORY GOODS/CYPRESS STRING QUARTET The Cypress String Quartet — from left, Tom Stone (violin), Ethan Filner (viola), Jennifer Kloetzel (cello) and Cecily Ward (violin) — performs its final San Francisco concert Sunday afternoon at the Dianne and Tad Taube Atrium Theater.
 ?? CHERYL NORTH ??
CHERYL NORTH

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