The Mercury News

Jean-Laurent Cochet, actor who taught France’s stars, dies at 85

- By Alex Marshall

Jean-Laurent Cochet was the most renowned acting teacher in France, and one of the strictest.

“If a student arrived five minutes late to class, they didn’t get into the course,” Maxime d’Aboville, a former student, said in an email. “If we coughed in class, we were sent out.”

But Cochet’s demanding nature — some have said it bordered on masochism — led to success. His former students included Gérard Depardieu, Isabelle Huppert and a host of French television, movie and stage stars.

“The Americans had Lee Strasberg and the Actors Studio,” said Pierre Delavène, director of the Cochet-Delavène School, which Cochet founded in 1965. “The French had Jean-Laurent Cochet.”

Cochet died Monday at 85 in a hospital in Paris, a spokeswoma­n for his agents said. The cause was complicati­ons of the coronaviru­s.

Cochet “asked the impossible,” Delavène said by email, so that his students could dedicate themselves fully to the craft of acting. If he thought a student wasn’t passionate enough, Delavène added, he would encourage the student to quit acting entirely.

Huppert once said she was “fascinated” by his teaching, adding, “In his class, I was more spectator than actress,” the French newspaper Libération quoted her as saying.

On Twitter, Franck Riester, France’s culture minister, called Cochet “a monument of theater.”

Jean-Laurent Cochet was born on Jan. 28, 1935, in Romainvill­e, a suburb of Paris, and wanted to be an actor from a young age, the newspaper Le Monde reported. His teachers made him focus on classics of French drama by the likes of Victor Hugo and Molière, and he would later insist that his own students do the same.

He would start classes by teaching his students how to recite a fable by the 17thcentur­y poet Jean de La Fontaine.

“His teaching didn’t age a bit,” Delavène said. “It is only by mastery of the great classical repertoire that one finally comes closest to the modern repertoire.”

Cochet joined the Comédie-Française,

France’s oldest theater troupe, in 1959, when he was 24. He went on to perform with the company in numerous plays before deciding to start his own theater school in the 1960s.

Complete informatio­n on survivors was not immediatel­y available.

Richard Berry, a prominent French actor, said in a phone interview that Cochet’s classes would focus on technique, so that students would realize that the body was an instrument.

“Most actors, they act a text as they feel it — it’s inspiratio­n,” Berry said, “but he showed me there is more.”

To Berry, accounts of Cochet’s difficult manner missed how kind and encouragin­g he was. When he began attending Cochet’s classes, Berry said, he was too poor to afford the fee, but Cochet waved him away when he tried to pay.

“He always said, ‘It’s OK, keep it for yourself,’” Berry said.

D’Aboville said he expected that Cochet’s students, some of whom have become teachers themselves, would continue to impart Cochet’s methods.

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