The Mercury News

Discreetly, young chipping away at taboo on tattoos

- By Hikari Hida

TOKYO >> Ayaka Kizu, a web designer in Tokyo, stood by her office desk one recent day, peeling Band-Aids off an apple-size portion of her right arm. A meeting with clients had ended, so she was now free to reveal what lay underneath: a tattoo of a multicolor­ed unicorn.

Kizu, 28, is one of a growing number of young people who are bucking Japan's long-standing taboos against tattoos, which remain identified with organized crime even as the Japanese mob has faded and body art has become widely popular in the West.

Inspired by Japanese influencer­s and foreign celebritie­s, Kizu decided at 19 to get a tattoo of a crescent moon on her right thigh, an homage to her favorite manga series, Sugar Sugar Rune. She since has gotten five more.

As she has cycled through jobs since college, including public relations at a big traditiona­l company and sales work in a department store, she has had to get creative to conceal her tattoos, whose display remains essentiall­y forbidden in all but the most liberal of workplaces. That means, for instance, that she must leave her hair down to cover the ink behind her ears.

“It's a pain, but as long as I hide them when doing business, I don't mind,” she said. “I wanted to be fashionabl­e. I just decided to go for it.”

With each scroll of their phones, young Japanese have become more exposed to tattoos worn by famous singers and models, chipping away at the stigma against body art and emboldenin­g them to challenge entrenched social expectatio­ns about their appearance.

Around 1.4 million Japanese adults have tattoos, almost double the number from 2014, according to Yoshimi Yamamoto, a cultural anthropolo­gist at Tsuru University who studies traditiona­l “hajichi” tattoos worn on the hands of Okinawan women.

In 2020, tattooing took a huge leap toward broader acceptance when Japan's Supreme Court ruled that it could be performed by people other than licensed medical profession­als. Sixty percent of people in their 20s and younger believe that general rules regarding tattoos should be relaxed, according to a survey conducted last year by an informatio­n technology company.

In big cities like Tokyo and Osaka, visible tattoos are becoming more commonplac­e among food service workers, retail employees and those in the fashion industry. In the back alleys of Shinjuku, a buzzing Tokyo neighborho­od, Takafumi Seto, 34, wears a T-shirt that shows off his red-and-black-inked sleeve while he works as a barista at a trendy cafe.

Seto got most of his tattoos after moving to Tokyo 10 years ago from the suburbs of western Japan, where he still gets stares when he visits his family. His grandmothe­r doesn't know about his tattoos, so he sees her only in the winter, when he can wear long sleeves.

“I think that the hurdle to getting a tattoo has gone down,” he said. “On Instagram, people show off their ink. Tattoos are OK now. It's that kind of generation.”

Hiroki Kakehashi, 44, a tattoo artist who has won a cult following among women in their 20s for his coin-size fine-line tattoos, said his clients now came from a broader range of profession­s: government workers, high school teachers, nurses.

“They're often in places that can be hidden, but more people have tattoos than you would imagine,” Kakehashi said.

Tattoos have a long history in Japan, and they were important to women in Indigenous Okinawan and Ainu communitie­s. Their associatio­n with organized crime goes back about 400 years. They were used to brand criminals on their arms or foreheads with marks that varied by region and crime: for instance, a circle, a large X or the Chinese character for dog.

After Japan ended more than two centuries of isolation in 1868, the country started promoting Western-style modernizat­ion policies. Among them: a law banning tattoos, which were seen as “barbaric.”

Although that ban was lifted in 1948, the stigma remained. Yakuza, or Japanese gangsters, often have neck-to-ankle “wabori,” a traditiona­l Japanese-style tattoo done by hand using needles. Because of this gangster associatio­n, many hot springs resorts, beaches and gyms bar people with tattoos. Office jobs that allow tattoos are still sparse to nonexisten­t, with many companies expressly prohibitin­g applicants who have them.

The case that led to the breakthrou­gh Supreme Court decision on tattooing began in 2015, when Taiki Masuda, 34, a tattoo artist in Osaka, had his home studio raided and was slapped with a fine. Instead of paying it — as many veteran tattoo artists who had agreements with police advised him to do — he went to court.

The lawsuit, Masuda said, “changed the image of the tattoo industry in Japan.”

During the trial, a group of veteran tattoo artists, suppliers and lawyers came together to create the Japan Tattooist Organizati­on. In consultati­on from two doctors, the group created an online course on hygiene and safety. Tattoo artists now can receive certificat­ion to display in their studios, modeled after practices abroad. The organizati­on is currently in talks with the health ministry, with hopes that the government will eventually recommend all tattoo artists take the course.

Last year, about 100 artists took the course. Currently, at least 3,000 are working in Japan, and with more legitimacy, there is hope that more societal acceptance will follow.

Among the new initiates into the world of the tattooed is Rion Sanada, 19, who one recent afternoon was lying nervously on a studio bed in the Setagaya ward of Tokyo, eager to get her first tattoo.

Although she was about to start looking for fulltime work, she said she was not worried about her job prospects.

“I'll just get work where I can cover up my arms and legs in baggy clothes,” she said. “These days, tattoos are so much more commonplac­e.”

Three-quarters of an hour later, Sanada glanced down at her forearm, where an outline of a mouse, sprawled out on its stomach with little wings in the shape of hearts, now rested.

“I'll work where I can until society catches up to me and I can be free,” she said.

 ?? HARUKA SAKAGUCHI — THE NEW YORK TIMES ?? Asami, a tattoo artist, works on a client at his studio in Yokosuka, Japan, this month. He said that people with tattoos needed “to be extra well-mannered and follow the rules.”
HARUKA SAKAGUCHI — THE NEW YORK TIMES Asami, a tattoo artist, works on a client at his studio in Yokosuka, Japan, this month. He said that people with tattoos needed “to be extra well-mannered and follow the rules.”

Newspapers in English

Newspapers from United States