`Top Gun: Maverick' gets top opening of first week
Forget breaking the sound barrier: Tom Cruise just flew past a major career milestone.
The 59-year-old superstar just got his first $100 million opening weekend with “Top Gun: Maverick.” In its first three days in North American theaters, the long-in-the-works sequel earned an estimated $124 million in ticket sales, Paramount Pictures said Sunday. Including international showings, its worldwide total is $248 million.
It's a supersonic start for a film that still has the wideopen skies of Memorial Day itself to rake in even more cash. According to projections and estimates, by Monday's close, “Top Gun: Maverick” will likely have over $150 million.
“These results are ridiculously, over-the-top fantastic,” said Chris Aronson, Paramount's president of domestic distribution. “I'm happy for everyone. I'm happy for the company, for Tom, for the filmmakers.”
Though undeniably one of the biggest stars in the world — perhaps even “the last movie star,” according to various headlines — Cruise is not known for massive blockbuster openings.
Before “Maverick,” his biggest domestic debut was in 2005, with Steven Spielberg's “War of the Worlds,” which opened to $64 million. After that it was “Mission: Impossible — Fallout” with $61 million in 2018. It's not that his films don't make money in the long run: They just aren't enormously frontloaded.
“Top Gun: Maverick” had an extremely long journey to get to the theaters. The sequel to the late Tony Scott's “Top Gun,” which was released in 1986, was originally slated to open in the summer of 2020. Its marketing campaign technically started back in July 2019. The pandemic got in the way of those plans, however, and it was delayed several times. Directed by Joseph Kosinski, produced by Jerry Bruckheimer and coproduced and co-financed by Skydance, the sequel reportedly cost $152million to make.
The buildup was huge, , with 4,735 North American theaters (a record) showing “Top Gun: Maverick.” It also opened in 23,600 locations in 62 international markets.
Reviews have been stellar, too, with the film notching a 97% on Rotten Tomatoes. Audiences, who were 58% male, gave it an A+ CinemaScore, according to exit polls.