The Mercury News

HBO film `Pelosi in the House' documents family's struggles

- By Mark Z. Barabak Mark Z. Barabak is a Los Angeles Times columnist. © 2022 Los Angeles Times. Distribute­d by Tribune Content Agency.

Alexandra Pelosi was having one of those days.

She's still raw from the hammer attack on her father by a QAnon crazy. “I have not slept through the night since,” Pelosi confessed.

A recent morning found her whipping up a Betty Crocker birthday cake, readying her New York apartment for an invasion of teenage girls and vacuuming the broken glass from a toppled Christmas tree.

The trailer had just come out.

“I'm doing PR management in my own family,” a harried Pelosi said.

Pelosi, the youngest of Nancy and Paul Pelosi's five children, is a filmmaker who launched her career with the cheeky documentar­y “Journeys with George,” a verite look at the 2000 presidenti­al campaign of Texas Gov. George W. Bush. She spent months living on the campaign charter, as a camcorder-toting producer for NBC News. Pelosi has since created more than a dozen documentar­ies, on such topics as child poverty, big money in politics and the effects of the tech boom on San Francisco, where she was born and raised.

With a camera as her constant companion — and occasional irritant to those around her — Pelosi filmed thousands of hours of her mother, in public settings and private moments, doing housework and the work of House speaker. The finished product, “Pelosi in the House,” began airing Tuesday on HBO.

Pelosi described her latest project as a happy accident growing out of a 2018 conversati­on in the HBO cafeteria with Geof Bartz, a frequent collaborat­or and the network's supervisin­g editor for documentar­ies. She mentioned her extensive catalog of family footage, and Bartz agreed to take a look and see if there was something there.

That November, Democrats took control of the House, and Nancy Pelosi was installed for a second history-making go-round as speaker. The documentar­y's perspectiv­e shifted from a look back on Pelosi's career to a more contempora­neous account of her battles with then-President Trump, culminatin­g in the Jan. 6 raid on Congress by insurrecti­onists seeking to overturn the 2020 election.

In October, the House committee investigat­ing the failed coup released snippets of iPhone footage Alexandra Pelosi shot that day, showing lawmakers fleeing for their lives and desperatel­y seeking assistance to quell the riot. At one point, a furious Nancy Pelosi said she wanted to punch Trump, who incited the violence and blithely watched his marauding supporters on TV.

The tinfoil-hat crowd has seized on Alexandra Pelosi's presence as somehow proving the whole thing — the desecratio­n of the Capitol, the assault on democracy — was staged. No surprise there. She's prepared, Pelosi said, for that kind of crazy, as well as efforts to embarrass her mother by turning her work into a mockumenta­ry spoofing the life and unflatteri­ng times of the speaker.

“What I do care about,” and here she paused for several seconds, “is that I don't want them to break into my house and attack me in the middle of the night.”

It was no idle thought. Alexandra Pelosi, who has been targeted with a steady stream of death threats, lives now with security outside her apartment.

“There's this very toxic, negative energy circulatin­g around my family,” Pelosi said matter-of-factly, “and we live with it.”

The release of “Pelosi in the House” could have been a triumphant moment, marrying Alexandra Pelosi's artistic eye with a lifetime's worth of unparallel­ed access to one of the most powerful and important women in U.S. history. The documentar­y — with its chilling images of Jan. 6, its intimate sausage-making look at the legislativ­e process, its charming mother-daughter banter — is genuinely revealing.

But Pelosi isn't looking for rave reviews, or to send TV ratings through the roof.

“All I care about,” she said, “is that I physically survive the release of this film.”

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