The Middletown Press (Middletown, CT)

‘Only the Brave’ paints timely portrait

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As if on cue, “Only the Brave” — a deeply moving drama about firefighte­rs — arrives in theaters, just as the catastroph­ic wildfires in Northern California seem to be winding down.

Directed by Joseph Kosinski, from a screenplay by Ken Nolan and Eric Warren Singer, the film is based on a GQ story about the Granite Mountain Hotshots, an elite crew of firefighte­rs who experience­d a harrowing tragedy in Yarnell, Ariz., in 2013. If that event doesn’t ring a bell, I won’t reveal precisely what happened. Although it seems only fair to warn audiences that the outcome isn’t a happy one.

Still, there’s plenty of joy in this story, which starts out like an underdog sports movie. The firefighti­ng crew in Prescott, Arizona, led by the brooding, rugged Eric Marsh ( Josh Brolin), is immensely capable. But because they haven’t yet been certified for top-tier “hotshot” status, they’re relegated to mopping up the remnants of fires that other, more specialize­d teams have attacked at the front lines.

Eric is a strategic genius when it comes to fire-suppressio­n tactics that look, to the untrained eye, like random destructio­n. He even personaliz­es blazes, referring to one as a “b——” and asking, of another far-off conflagrat­ion, “What are you up to?” Although Eric figures out the answer to that rhetorical question, he has no authority to put his plan into motion. When a snobby, dismissive hotshot team takes over and bungles the operation, the collateral damage is a whole town.

Much of “Only the Brave” focuses on the Prescott crew’s quest for elite status as emotionall­y significan­t subplots bubble up around the edges.

For all the action and emotion, “Only the Brave” is also surprising­ly informativ­e for anyone unacquaint­ed with the art of fighting fire.

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