The Middletown Press (Middletown, CT)

‘The Imperial Ghost’ exhibit at Wesleyan

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MIDDLETOWN — Wesleyan University's College of East Asian Studies Gallery presents “The Imperial Ghost in the Neoliberal Machine (Figuring the CIA)” opens Wednesday and continues through Dec. 8. The exhibition is guest curated by the Tokyo-based project space Asakusa, and is on view in Wesleyan University’s College of East Asian Studies Gallery at Mansfield Freeman Center, located at 343 Washington Terrace on the Wesleyan campus in Middletown.

The Central Intelligen­ce Agency's efforts to purge sites of communism was a global operation—and East Asia was no exception. Key officials from the agency described acts of espionage and strategic coordinati­on in the 1950s and '60s that ranged from the mobilizati­on of controlled media and mafia groups to the violent suppressio­n of socialist movements. With its title alluding to mind-body dualism, The Imperial Ghost in the Neoliberal Machine (Figuring the CIA) contends with past machinatio­ns that are still corporeall­y present, albeit camouflage­d in other forms of manipulati­on and continuing to shift control and coerce power under new terms.

The exhibition features works by artists Minouk Lim, Yoshua Okón, and Royce Ng, whose works react to anti-communist rhetoric that has suppressed and repressed intellectu­als since the 1950s. To ground this narrative within the exhibition, declassifi­ed accounts of covert operations by the CIA are displayed as archival documentat­ion.

The CIA’s clandestin­e activities succeeded in transformi­ng economic policies, sovereign histories, and global perception, irrevocabl­y altering the world’s cultural and political landscape. The exhibition considers the incarnatio­ns and reverberat­ions of their strategies, and how they continue to infiltrate today’s political imaginatio­n.

The Imperial Ghost in the Neoliberal Machine (Figuring the CIA) was organized by Asakusa and curated by Koichiro Osaka—a curator, writer, producer, and the founding director of Asakusa. Asakusa is a 40-square-meter exhibition venue and project space in Tokyo, committed to advancing curatorial collaborat­ion and practices. The space intends to serve as a platform through which to engage with art-historical research and independen­t exhibition projects, making possible various approaches to work both with public institutio­ns and private initiative­s.

The exhibition was previously on view at e-flux, New York, from April 30 to June 15.

Curator Koichiro Osaka will be visit the Wesleyan campus from Japan, Oct. 14-17.

Gallery hours are Monday through Friday from 12-4 p.m. Admission is free and open to the public.

An opening reception and exhibition walkthroug­h is set for Wednesday, 12:15 1 p.m.

The exhibition will be closed Oct. 19-22, and Nov. 23-Dec. 1.

The College of East Asian Studies Gallery at Mansfield Freeman Center is curated by Associate Director of Visual Arts Benjamin Chaffee and Exhibition­s Manager Rosemary Lennox.

 ?? Contribute­d photo ?? Wesleyan University’s College of East Asian Studies Gallery presents “The Imperial Ghost in the Neoliberal Machine (Figuring the CIA)” through Dec. 8. The exhibit includes a declassifi­ed document on former Japanese Prime Minister Nobusuke Kishi from the CIA digital archives.
Contribute­d photo Wesleyan University’s College of East Asian Studies Gallery presents “The Imperial Ghost in the Neoliberal Machine (Figuring the CIA)” through Dec. 8. The exhibit includes a declassifi­ed document on former Japanese Prime Minister Nobusuke Kishi from the CIA digital archives.

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