The Middletown Press (Middletown, CT)

‘Skywalker’ rises again; ‘Little Women’ go big at box office

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LOS ANGELES — “Star Wars” was still rising in the last weekend of the year, while “Little Women” broke big at the box office.

“Star Wars: The Rise of Skywalker” brought in $72 million over the weekend to remain the topearning film in North America by lightyears, according to studio estimates Sunday.

In 10 days of release it has brought in $362.8 million for Disney, falling just short of the earnings of its predecesso­r, 2017’s “Star Wars: The Last Jedi” in a comparable span.

Helped by the Christmas holiday week, “Star Wars” had a smallertha­naverage 59% dropoff in its second weekend after earning $175 million in its first.

“For a movie that opened that big, that is a modest drop,” said Paul Dergarabed­ian, senior media analyst for Comscore. “Movies that open this time of year, they usually have legs.”

Sony’s “Jumanji: The Next Level,“earned $35.3 million for second place and has tallied a total of $175.5 million through its third weekend of release.

Director Greta Gerwig’s reimaginin­g of the American literary classic “Little Women“had a $16.5million weekend and a fiveday total of $29 million since its Christmas opening, a major performanc­e for a smalleraud­ience film with a budget dwarfed by the top two films.

The film, also a Sony release, starring Saoirse Ronan, Emma Watson, Florence Pugh and Laura Dern, scored big with both audiences and critics and is gaining momentum as an awardsseas­on favorite.

“With Greta Gerwig’s reputation as a filmmaker, a great cast and a perfect holiday release date, they’ve got quite a hit on the their hands,“Dergarabed­ian said.

“Uncut Gems,“an even smaller film that has also sparked awardsseas­on buzz for Adam Sandler’s rare dramatic performanc­e as a jeweler and gambling addict, entered the top 10 for the first time as it expanded to more screens in its first week. The film earned $9.6 million over the weekend and has brought in $20 million overall.

Director Sam Mendes’ experiment­al World War I epic “1917,“earned more than $1 million since its Christmas opening despite showing in only 11 theaters. The huge perscreen average bodes well for the film’s nationwide opening next month as it ramps up its Oscars campaign.

As 2019 ends, annual overall box office revenue is down by 4%, though it gained ground in its latter months, narrowing a deficit that was 11% in April, and 2018 was always going to be tough to beat.

“Last year was an outlier,“Dergarabed­ian said. “It was just a massive year.“

Between Marvel and “Star Wars,” and its animation divisions, 2019 was utterly owned by Disney, which had all five of the year’s top grossing movies: “Avengers: Endgame,” “The Lion King,” “Toy Story 4,” “Captain Marvel” and “Frozen 2.“

And with “The Rise of Skywalker” ending the year at No. 7 and “Aladdin” at No. 8, the megamouse ate up seven of the top 10 spots.

 ?? Lucasfilm Ltd. / Associated Press ?? This image released by Disney/Lucasfilm shows Daisy Ridley as Rey in a scene from “Star Wars: The Rise of Skywalker.”
Lucasfilm Ltd. / Associated Press This image released by Disney/Lucasfilm shows Daisy Ridley as Rey in a scene from “Star Wars: The Rise of Skywalker.”

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