The Middletown Press (Middletown, CT)

Springtime decorating trends: Soothing, soft, sustainabl­e, stylish

- By Kim Cook

If you’re looking for respite from this winter’s weather and news, you’ll find plenty of peace and quiet in the spring offerings beginning to show up at home decor retailers.

Two of the biggest trends at home furnishing­s trade shows have been pop-culture maximalism and modern minimalism. The former is loaded with vibrant imagery and color; the exuberant designs are upbeat and uplifting. The latter, however, is for those who want home to be a sanctuary. This is clean, modern decor with a handcrafte­d, soul-nourishing approachab­ility, replete with nature references and sublime palettes.

“We’re surrounded by the whirring din of contempora­ry life,” says Jorge S. Arango, a Portland, Mainebased interiors stylist and co-author of seven design books. “It’s no wonder we want things that are simple and real, with hand-hewn textures that reassure us of a connection to our humanity.’’

He’s seeing the trend at all price ranges.

“We’re craving products with the authentici­ty of natural materials, organic forms and warm tones of white,’’ he says. ``Cream, ivory, vanilla rather than starkly antiseptic shades, are plain, honest and uncomplica­ted.”

At this winter’s Ambiente in Frankfurt, Germany,

The interplay of light with decoration is part of the spring season’s softer side.

one of the world’s largest consumer goods trade fairs, ``Shaped and Softened” was a trend, with the watchwords ``subtle, restful, coherent and restrained.” The palette evoked melty ice creams, warm earth and hazy summer skies.

Look for textiles with soft nap and weave like cashmere or boucle; linen; knitted, crocheted and felted wool; vegan suede; shaggy sheepskin; vegetable-dyed velvet. Items with a sustainabi­lity backstory have growing appeal in a marketplac­e that has often favored the replaceabl­e and throwaway.

Leftover alpaca, cotton and wool scraps are respun into cream and black camp-style blankets at Blacksaw. These hardworkin­g heritage pieces

could also be hung on a wall as artwork.

Longevity is part of the plan, says Blacksaw’s founder, Kyle Taylor.

“The blankets started out as a vessel for design that had no expiry date, It would be passed on for generation­s, it would become a meaningful possession. One of the things in your life that was worthy of taking up space,” Taylor says.

The interplay of light with decoration is part of the season’s softer side, too. Hammered, buffed metals, like Target’s Linberg brass side table, are soft to touch and have a pleasing glow. Horchow has brass and silver pendant and table fixtures; pierced patterning turns them into magic lamps.

Rattan and caning are in every retailer’s spring furniture lineup. They let light travel through chair backs and room dividers, easing the footprint of these pieces in a room. Woven seagrass or paper rope make for rustic yet featherwei­ght pendants and storage boxes at Target.

Matte finishes on ceramics mute the material’s hardness. At Year and Day, find Portuguese clay vessels and plates in hues like midnight, fog, moon and daybreak.

Buffing or sanding glass and mineral vessels, plates and objets d’art gives them an ethereal translucen­ce. CB2 has onyx bowls and tea light holders from Bali and Thailand.

Siberian-born artist Anastasiya Koshcheeva has her studio, Moya, in Berlin, but harvests birch bark from her home country’s taiga using methods that she says don’t harm the trees. She fashions the bark into little boxes, light fixtures and even lounge chairs; she ships worldwide.

And then there’s pattern. If the counterpoi­nt trend this spring is 1980s power prints and blowsy Dutch florals, here we’re looking at discreet, understate­d illustrati­ons that celebrate the organic.

Look for Impression­ist, photograph­ic and field study images of flowers at Ballard Designs. Unfussy folk-art embroidery and earth-toned pieced panels are on throw pillows at West Elm and Target.

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