The Morning Call

Witty star of 1970s’ ‘Great American Dream Machine’

- By Harrison Smith

Marshall Efron, an irreverent actor, humorist and radio broadcaste­r who lampooned consumeris­m on the quirky 1970s television series “The Great American Dream Machine,” then single-handedly reenacted stories from the Bible on “Marshall Efron’s Illustrate­d, Simplified and Painless Sunday School,” died Sept. 30 at a senior care center in Englewood, New Jersey. He was 81.

The cause was cardiac arrest, said his longtime writing partner, Alfa-Betty Olsen.

A roly-poly comic force with a drooping walrus mustache, Efron dabbled in the countercul­ture of 1960s San Francisco before becoming a humorous mainstay of Pacifica’s listenersu­pported radio stations in Los Angeles and New York. He went on to develop a reputation as an adroit voice artist, manic improviser and acerbic critic of corporatio­ns and conservati­ve politician­s.

Efron was best known for his work on “The Great American Dream Machine,” a variety show that mixed animated shorts, comedy sketches, documentar­y segments and musical performanc­es. Premiering in 1971 on the newly formed broadcaste­r PBS, it evoked series like “Rowan & Martin’s Laugh-In” but added a leftleanin­g, politicall­y charged edge.

Episodes featured Chicago author Studs Terkel moderating a conversati­on with ordinary people over drinks; Kurt Vonnegut reading from his novel “Slaughterh­ouse-Five”; Chevy Chase and Ken Shapiro lip-syncing orchestral music while painted in whiteface; a profile of Evel Knievel; and humorous sketches from Efron, who was sometimes described as the series’ host.

Perhaps his most memorable segment centered on “modern baking through modern chemistry,” as a toqueweari­ng Efron read the ingredient­s of a Morton lemon cream pie and tried to replicate the dessert from scratch.

“Dream Machine” proved expensive to make and, despite drawing acclaim from critics and stars such as John Lennon, it was canceled after two seasons.

Efron’s next major television project was the CBS children’s series “Illustrate­d, Simplified and Painless Sunday School” (1973-77), an occasional­ly absurdist retelling of Bible stories. Olsen said she created the show after CBS offered the duo a Sunday morning time slot.

“I said, ‘It’s Sunday morning, let’s do Bible stories,’ ” she recalled.

Efron played every character on the series, including both David and Goliath and the voice of God. At least one episode began with a tonguein-cheek disclaimer that the show “may not be suitable for adults”; nonetheles­s, the dialogue was often laden with Easter eggs for older viewers, including references to Shakespear­e’s “Julius Caesar” and Meredith Willson’s “The Music Man.” (“We’ve got trouble, right here in Nineveh City.”)

Marshall Harold Efron was born in Los Angeles on Feb. 3, 1938.

“School wasn’t much fun for me,” he told The New York Times in 1971, explaining that he was picked on for being short and heavyset. “I started being funny as a kid to avoid being pushed around.”

Efron graduated from the University of California, Los Angeles, received a master’s degree in English from the University of California, Berkeley in 1964, and spent one year in law school before turning to acting.

He also connected with Ken Kesey and the Merry Pranksters and was described in Tom Wolfe’s book on that group, “The Electric Kool-Aid Acid Test,” as “the round Mercury of Hip California.”

In 1967, he moved to New York, where he appeared in Broadway production­s of “The Great White Hope” and “Much Ado About Nothing.” He was also featured at radio station WBAI, where he hosted a program called “Satirical View” and sometimes filled in for broadcaste­r Steve Post.

He also appeared in director George Lucas’s feature film debut, the science-fiction thriller “THX 1138” (1971), and did voice work for movies including “Ice Age: The Meltdown” (2006) and “Horton Hears a Who!” (2008), as well as cartoon series such as “Kidd Video,” “The Biskitts” and “The Smurfs,” as Sloppy Smurf.

Survivors include a sister.

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