The Morning Call

Reilly credits Sheridan for fan response to ‘Yellowston­e’ role

- By Greg Braxton

Here’s a tip for fans of the Western-flavored drama “Yellowston­e”: If you spot Kelly Reilly at the airport or in a coffee shop, you don’t have to worry that she will confront you. She has no desire to ruin your day.

Nor do you have to congratula­te her on her vicious verbal takedowns of business interests, ambitious developers and others vying for her father’s massive Montana ranch so they can transform the picturesqu­e landscape into a concrete-covered playground of vacation homes and resort attraction­s.

Now that the Paramount Network series, a bona fide blockbuste­r that has become arguably the most popular series on television, has launched its highly anticipate­d fifth season, Reilly is finding out that her performanc­e in “Yellowston­e” is so convincing that many fans believe she is Beth Dutton, the ruthless daughter of Kevin Costner’s John.

Armed with a volcanic personalit­y and acidtipped diatribes for anyone who oppose her and her father, Beth has highsteppe­d past the series’ other colorful characters to become a singular force of nature. “You are the trailer park, and I am the tornado” is just one of the trademark lines that has appeared on T-shirts celebratin­g Beth. But Reilly is very much not a Beth type.

“My life could not be more removed from the world of Beth, but people really do think I’m her,” Reilly said during a recent interview. “In a coffee shop, they’ll say, ‘Hi, Beth.’ I’ve been acting since I was 17 years old, and I’ve never had a character that has been this strong in flavor

and gotten such a passionate response. It’s horrifying and exciting, depending on the day.”

The British actor, whose previous projects have included the films “Flight” and “Sherlock Holmes” with Robert Downey Jr., credits the response to Beth to executive producer Taylor Sheridan, who co-created “Yellowston­e” and is its principal writer.

“Taylor writes women with great love, but with great complexity,” Reilly said. “They are unapologet­ic. Men are never written as strong male characters. They’re just themselves. It was that attitude and energy that Taylor wrote in Beth and all of her toxic fabulousne­ss. As an actor, it got my blood up. As a woman, it got me intrigued. There’s a recklessne­ss in her that I find exciting.”

She added: “It was a quality that did not come easy for me. How do you play a woman like that and also get people on her side? If you just hate or disregard her, I have not done my job properly.”

The two main men in Beth’s life beside her father are her husband, Rip Wheeler (Cole Hauser) — Dutton’s main ranch hand, whom she fiercely loves — and her brother Jamie (Wes Bentley), whom she

openly despises. Beth has never forgiven Jamie for an incident when they were teens when he took her to get an abortion and, unbeknowns­t to her, arranged for her to be sterilized.

Beth continuall­y reminds Jamie of her life’s mission to punish and destroy him. Their toxic relationsh­ip was exposed in the first season when they violently brawled inside a barn.

Said Bentley: “Beth is extreme, and for Kelly, it was quite a long distance to go because she’s the opposite — sweet. She’s gone further in this role than I think even she felt was possible. That fight scene was the moment where I saw that click, fully formed. It’s one of the most fascinatin­g things I’ve seen as an actor.”

Both performers feel that a twisted kind of love is at the core of the dynamic between Beth and Jamie.

“Kelly and I agree that there has to be some desperate desire for connection,” Bentley said. “We’ve also seen it as something that they were striving to repair. It might be revealing itself to actually be that love is lost, that connection is gone, and the painful part is that they are realizing it through the fight.”

 ?? PARAMOUNT NETWORK ?? Kelly Reilly as Beth Dutton and Cole Hauser as Rip Wheeler in Taylor Sheridan’s “Yellowston­e.”
PARAMOUNT NETWORK Kelly Reilly as Beth Dutton and Cole Hauser as Rip Wheeler in Taylor Sheridan’s “Yellowston­e.”

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