‘Wednesday’ at its best when spinoff ’s simply being funny
The Addams Family began in 1938 as a series of wry cartoon panels from Charles Addams for the New Yorker magazine. Then came the blackand-white 1960s sitcom with its iconic theme song (snap, snap). Then came the movie adaptations, because Hollywood loves nothing more than repurposing intellectual property over and over again. Well, the Addams Family is back, this time as a TV spinoff called “Wednesday,” featuring the original goth girl herself, Wednesday Addams.
Netflix is promoting the series as “from the mind of Tim Burton” and he’s an executive producer and director (he directs the first half of the season), but it’s more informative to look at who’s credited as the show’s creators. That would be Alfred Gough and Miles Millar, who gave the world “Smallville,” aka Superman/Clark Kent, the teen years.
“Wednesday” is teen drama as well — one with style, though not an especially inventive one — and it works best when it’s simply being funny. The heavy plotting around a mysterious supernatural something or other? Very, very mid, but you need something to propel the story forward to stretch it out for eight episodes.
Kicked out of her normie high school after dumping piranha in a pool filled with water polo jerks, Wednesday’s parents, Morticia and Gomez (Catherine Zeta-Jones and Luis Guzman), send her off to Nevermore Academy, a Hogwarts-like boarding school for outcasts and monsters.
Starring the wonderfully
deadpan Jenna Ortega, she’s the teen who can’t stand anything bright and happy. But unlike earlier incarnations, she’s morphed into a miserable teen, which means she can’t stand her parents, either.
Ah yes, Morticia and Gomez — in the movies, they were so hot for one another. That’s true in their brief appearances here as well, much to Wednesday’s disgust. Her eye-rolling carries over to anything else associated with them, telling her mother as they drive to Nevermore: “I’ve no interest in following in your footsteps — becoming captain of the fencing team, queen of the dark prom, president of the seance society.” When they’re greeted by the school’s principal (Gwendoline Christie), Gomez chimes in encouragingly: “Did you hear that, my little storm cloud, you’re in excellent hands!”
Moody and seeing visions she cannot explain, Wednesday is paired with a perky roommate (Emma Myers) who warns her that “full moons get pretty loud around here” as she shows her around campus, pointing out the various cliques:
the fangs (vampires), the furs (werewolves), the scales (sirens) and the stoners (a throwaway joke but one that made me laugh!). Wednesday has no interest in making friends or fitting in: “Sartre said hell is other people. He was my first crush.”
A garlic bread incident sends a kid to the infirmary (another throwaway joke but they’re the best kind here), there are some sly nods to “Carrie,” and the disembodied hand known as Thing (Victor Dorobantu) tags along to help Wednesday acclimate. It’s amazing how expressive Thing can be!
It’s all just so aggressively fine and judging by the timing of its release, intended to entertain a multigenerational houseful of guests looking for something to watch together. Hovering over everything is the hunt for the Big Bad, a narrative trope I’d love to see a show like this reject. Instead, “Wednesday” leans too heavily into “Stranger Things” territory for my taste. But that’s probably the point — “Stranger Things” has been very good for Netflix.
How to watch: