The Morning Journal (Lorain, OH)

Lagerfeld leaves legacy in design, showmanshi­p

- By Thomas Adamson

As Chanel creative director, Karl Lagerfeld transforme­d the house into a billion-dollar industry leader.

PARIS >> Karl Lagerfeld once created a Walmart-sized “Chanel Shopping Center” to show off his ready-to-wear collection. It featured aisle upon aisle of luxury foods labeled “one for the price of two.” Immediatel­y after models had paraded through the aisles, guests raided the shelves. Rihanna posed in a shopping cart, and Keira Knightley looked on amazed. “Luxury should be worn like you’re going to the supermarke­t. It’s the pop art of the 21st century,” Lagerfeld said, his eyes barely visible behind his enigmatic shades. The show was the type of presentati­on that came to define much of Lagerfeld’s sixdecade career at the top of fashion. When Chanel fell into decline following Coco Chanel’s death in the 1970s, its new owners looked for a largerthan-life designer to wake up the house from its creative coma. The German-born Lagerfeld, a contempora­ry of Yves Saint Laurent with a strict ponytail and tight collar, was just the man. As Chanel creative director from 1983 until his death on Tuesday, he quickly transforme­d the house into a billion-dollar industry leader, a position it retains today. Lagerfeld, who had been poached from Chloe, used his creative scalpel to modernize the house’s signature skirt suits and tweed in the ‘80s as the house expanded internatio­nally, opening some 40 boutiques around the world in that decade. His work ethic was legendary. Beyond Chanel, he also began working with Italian fashion house Fendi in 1965 and held the top job at the LVMH-owned brand since 1977. Yet Lagerfeld will be remembered as much for his showmanshi­p, eccentric personalit­y and acid tongue as for his youthful designs. Donning sunglasses and gloves, he evolved into “Kaiser Karl” — a nickname that referred to his demanding character, put-downs and uncompromi­sing standards. “Sweatpants are a sign of defeat. You lost control of your life so you bought some sweatpants,” he once declared. The sheer ambition of his fashion shows was legendary, and they became especially influentia­l in an age in which images are beamed around the world at the click of a button. His Chanel collection­s were invariably the biggest on the Paris Fashion Week calendar. Chanel, it was said, put the “show” in “fashion show.” Lagerfeld was also an anachronis­m, dressing in a punk, baroque style and defying political correctnes­s — almost proudly. In another interview, he created a furor by criticizin­g Kim Kardashian as being too flashy with her money in Paris following her 2016 robbery. Despite the sharp remarks, Lagerfeld remained surprising­ly warm in person and always kept a sparkle in his eye. Jokes were delivered with a smile, even when they were clearly derogatory. Evidence of his generous spirit could be seen in his relationsh­ips with reporters. Well into his 80s, he was unique in Paris for holding interviews for over an hour following each Chanel show. He would flit seamlessly between English, French, Italian and his native German. Of his feelings following a collection, he once said: “I’m a kind of fashion nymphomani­ac who never gets an orgasm.” The love of his life, his cat Choupette, was also testament to his kind, if eccentric, heart. He wore her likeness as a pendant at one show and acknowledg­ed that she has at least two maids. She is spoiled, “much more than a child could be,” he said in 2013, revealing that he took her to the vet nearly every 10 days. Like a proud parent, Lagerfeld told a magazine that Choupette earned more than $3 million in 2014 for advertisin­g campaigns. In recent seasons, Lagerfeld looked increasing­ly frail. When he failed to take his usual bow at the house’s January couture collection, sadness filled the faces of guests, some of whom had grown gray covering his long career. For a 2012 couture display, Lagerfeld built a futuristic jetliner, with the aisle serving as the runway for models and guests gathered in “Star Trek”-style seating. Lagerfeld was supposed to be in the vessel’s cockpit giving interviews. But he was nowhere to be found. His staff panicked that their chief had somehow slipped away just when he was needed most. They began a frantic search.

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