The New York Review of Books

Classic Fiction and Nonction New translatio­ns and reissues from

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THE OPEN ROAD

by Jean Giono

Ghosts is Wharton’s own personal selection of her most chilling stories, written between 1902 and 1937.

“What Wharton put out is a bewitching, and frequently terrifying, collection of tales which more often than not fulfill her criterion for a successful ghost story: ‘If it sends a cold shiver down one’s spine, it has done its job and done it well.’” —Anna Russell, The New Yorker

“A blend of Poe, Hawthorne and Henry James, [Wharton] has a lightness of touch that belies the often very grisly tale.” —Kate Mosse, The Guardian Paperback • $16.95

“What makes this novel stand out is the meticulous care that Giono applies to both his narrator’s voice and the ways in which he experience­s time . . . . Shifting between lived-in details and a sense of alienation, this novel is frequently hypnotic and always compelling.” —Kirkus, starred review Paperback • $16.95

THE N’GUSTRO AFFAIR

by Jean-Patrick Manchette

GHOSTS

by Edith Wharton

Selected and with a preface by the author

Preface by Jacques Le Gall

Translated from the French by Paul Eprile

THE STONE FACE

by William Gardner Smith

Introducti­on by Adam Shatz

“The Stone Face explores the shifting nature of cultural identity and social oppression . . . The issues Smith raises in his novel resonate at least as much now as they did six decades ago.” —John Powers, Fresh Air

“Represents the maturing of a voice determined to confound preconceiv­ed notions about patriotism, Blackness and sanctuary, and accordingl­y the story takes no prisoners, so to speak.”

—James Hannaham, The New York Times Book Review Paperback • $16.95

Introducti­on by Gary Indiana

Translated from the French by Donald Nicholson-Smith “The publicatio­n of another novel by Jean-Patrick Manchette . . . is a reason to rejoice . . . [In The N’Gustro Affair] the muscular prose is vivid (‘Hate is so tiresome,’ one character opines with devastatin­g effect), and the examinatio­n of ideology gone rancid is gutting and powerful.” —Sarah Weinman, The New York Times Book Review Paperback • $15.95

PURGATORIO

by Dante Alighieri

Clifton tells us about the life of an African American family through slavery and hard times and beyond, the death of her father and grandmothe­r, but also all the life and love and triumph that came before and remains even now. “[Generation­s] is a song of self. All the defiant joy of [Lucille Clifton’s] verse is present in this family history, beginning with the ancestor who walked cross-country only to be sold into slavery at age 8. For those whose histories were stolen through violence, this is a proclamati­on of power and resistance.”

—Jessica Ferri, Los Angeles Times Paperback • $14.95

A bilingual edition published in the 700th anniversar­y year of Dante’s death.

“Both in this translatio­n and in his afterword, D.M. Black shows us why Dante matters, and how, 700 years after his death, he can still help us to understand what may give meaning to our own lives.”

—Robert Chandler, Financial Times Paperback • $19.95

by Thomas Mann

GENERATION­S

A MEMOIR

by Lucille Clifton

Introducti­on by Tracy K. Smith

Preface by Robert Pogue Harrison

Translated from the Italian and with an introducti­on and commentary by D. M. Black

STORM

by George R. Stewart

Introducti­on by Nathaniel Rich

“A massive winter storm brings destructio­n, peril, and death to drought-plagued California . . . . A new introducti­on by Nathaniel Rich provides historical context for Stewart’s reissued classic, first published in 1941. Pure excitement for eco-fiction fans.” —Kirkus, starred review Paperback • $17.95

REFLECTION­S OF A NONPOLITIC­AL MAN

Introducti­on by Mark Lilla

Translated from the German by Walter D. Morris “[Reflection­s of a Nonpolitic­al Man] feels not just worthy of our attention but somehow indispensa­ble . . . . The idea that we do damage to life’s most important elements when we use them instrument­ally, for political ends, poses a real challenge to our moment, obsessed as it is with the political responsibi­lity of the artist.”

—Christophe­r Beha, The New York Times Book Review Paperback • $22.95

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