The New York Review of Books

CONTRIBUTO­RS

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COLIN B. BAILEY is the Director of the Morgan Library and Museum. His books include Patriotic Taste: Collecting Modern Art in Pre-Revolution­ary Paris, which was awarded the 2004 Mitchell

Prize, and Renoir, Impression­ism, and Full-Length Painting.

JULIAN BARNES’s books include The Only Story and The Man in the Red Coat. His latest novel, Elizabeth Finch, will be published in the US in August.

CHRISTOPHE­R BENFEY is the Mellon Professor of English at Mount Holyoke. His most recent book is IF: The Untold Story of Kipling’s American Years.

MARTIN FILLER’s latest book is Makers of Modern Architectu­re, Volume III: From Antoni Gaudí to Maya Lin, a collection of his writing on architectu­re in these pages.

CAROLINE FRASER’s most recent book, Prairie Fires: The American Dreams of Laura Ingalls Wilder, received the Pulitzer Prize for Biography.

ELISA GABBERT is the author of The Unreality of Memory and The Word Pretty. Normal Distance, a poetry collection, will be published in September.

ADAM HOCHSCHILD’s next book, American Midnight: The Great War, a Violent Peace, and Democracy’s Forgotten Crisis, will be published in October.

DEBORAH LANDAU’s fifth book of poems, Skeletons, will be published next spring. She is a Professor and the Director of the Creative Writing Program at NYU.

REGINA MARLER is the author of Bloomsbury Pie: The Making of the Bloomsbury Boom. She edited Queer Beats: How the Beats Turned America on to Sex and Selected Letters of Vanessa Bell.

JAMES MCAULEY is a Paris-based contributi­ng columnist for The Washington Post and the author of The House of Fragile Things: Jewish Art Collectors and the Fall of France. MADELEINE SCHWARTZ is

a regular contributo­r to The New York Review based in Paris.

CAROLINA A. MIRANDA is the arts and urban design columnist at the Los Angeles Times. She was a winner of the 2017 Rabkin Prize in Visual Arts Journalism.

GARY SAUL MORSON is the Lawrence B. Dumas Professor of the Arts and Humanities and a Professor in the Slavic Languages and Literature­s Department at Northweste­rn. His latest book is Minds Wide Shut: How the New Fundamenta­lisms Divide Us, cowritten with Morton Schapiro.

ANAHID NERSESSIAN is a Professor of English at the University of California at Los Angeles. A new edition of her book Keats’s Odes: A Lover’s Discourse will be published in the fall.

JAMES OAKES is a Distinguis­hed Professor at the CUNY Graduate Center. His latest book is The Crooked Path to Abolition: Abraham Lincoln and the Antislaver­y Constituti­on.

ROWAN RICARDO PHILLIPS’s most recent book is Living Weapon. He is the Poetry Editor of The New Republic.

INGRID D. ROWLAND is a Professor of History, Classics, and Architectu­re at the University of Notre Dame’s Rome Global Gateway. Her latest books are The Collector of Lives: Giorgio Vasari and the Invention of Art, cowritten with Noah Charney, and The Divine Spark of Syracuse.

DAVID SALLE is a painter and essayist. The Brant Foundation in Greenwich presented a forty-year survey of his paintings last fall.

BRIAN SEIBERT is the author of What the Eye Hears: A History of Tap Dancing. He teaches at Yale.

RUTH BERNARD YEAZELL is Sterling Professor of English at Yale. Her books include Picture Titles: How and Why Western Paintings Acquired Their Names and Art of the Everyday: Dutch Painting and the Realist Novel. She is writing a book about the modern reception of Vermeer.

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