The News-Times (Sunday)

Rich history of Negro Leagues hits theaters

- By Scott Allen

On Feb. 13, 1920, in Kansas City’s Paseo YMCA, Andrew “Rube” Foster and seven other owners of Black baseball teams across the Midwest establishe­d the Negro National League. “We are the ship, all else the sea” — a quote borrowed from abolitioni­st Frederick Douglass — was adopted as the league’s slogan, and Foster, the owner and manager of the Chicago American Giants, was named its first president.

Foster’s vision for the enterprise, which he had championed since his days as an outstandin­g pitcher with the Giants from 1911 to 1917, was to create a league so dynamic and entertaini­ng that Major League Baseball’s White owners would be foolish not to expand their more establishe­d circuit by joining forces with it. Foster’s premature death at 51 in 1930 denied him the chance to make his dream a reality, but his contributi­ons to the sport and baseball’s eventual fullscale integratio­n are undeniable.

The rise, fall and enduring legacy of the Negro Leagues, none of which would have been possible without the entreprene­urial Foster, is the focus of a new documentar­y titled “The League” by acclaimed director Sam Pollard. The movie, which opened nationwide this weekend and is executivep­roduced by Ahmir “Questlove” Thompson, shines a light on the individual­s who helped grow the Negro Leagues into a thriving economic force that stabilized Black communitie­s amid the Great Migration. It will be available to stream digitally on July 14.

Using newly discovered archival footage, insight from historians and recorded interviews with Negro League players and executives, Pollard traces the history of Black baseball from 1884, when Moses Fleetwood Walker played catcher for the predominan­tly White Toledo Blue Stockings of the major league American Associatio­n, through Jackie Robinson reintegrat­ing the sport in 1947. The movie is based on former Negro League umpire Bob Motley’s memoirs, which were co-authored by his son, Byron, who contacted Pollard about directing the documentar­y several years ago and recorded many of the interviews featured.

In 1920, the same year the Negro National League was created, Kenesaw Mountain Landis, a federal judge in Chicago, was appointed MLB’s first commission­er. By then, organized baseball had been racially segregated for nearly three decades, due in part to the efforts of legendary Chicago White Stockings player-manager Cap Anson. In 1887, Anson refused to play an exhibition game against the Newark Little Giants unless the Internatio­nal League team’s Black players, including Walker and pitcher George Stovey, sat out. Internatio­nal League directors held a secret meeting in the wake of Anson’s protest and decided to prohibit the signing of Black players going forward. Other leagues followed suit.

The Negro National League, which featured an up-tempo style of play that would come to define the Negro Leagues, was a success. Foster’s death and the Great Depression brought about the original league’s demise in 1931, but a second Negro National League was founded in 1933 by Pittsburgh businessma­n Gus Greenlee. Pollard delves into the heated crosstown rivalry that developed between Greenlee’s Pittsburgh Crawfords and Cumberland Posey, owner and manager of the Homestead Grays. With the founding of the Negro American League in 1937 and stars such as Josh Gibson, Cool Papa Bell, Oscar Charleston and Buck O’Neil dazzling large crowds in multiple leagues across the country, the late 1930s and 1940s marked the heyday of Black baseball.

Meanwhile, Landis did little to change the status quo at the major league level, which remained segregated despite no official policy against signing Black players.

“This was a period of American history where Jim Crow and the rule of segregatio­n was the law of the land, and it was very difficult for people to see Black people being integrated in anything that involved the so-called American experience,” Pollard said.

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