The News-Times

Great Hunger Museum has power to educate

- By John D. Warner Jr. John D. Warner Jr. is president of the Charitable Irish Society.

To Quinnipiac University President Judy D. Olian:

It is with great concern and profound dismay that the Charitable Irish Society of Boston has heard about the closure of the Great Hunger Museum at Quinnipiac University. We highly recommend that you revisit your decision and work with Irish Americans of good will to find a way to keep this precious collection of paintings and sculpture in its beautiful and appropriat­ely designed building.

As the oldest Irish society in the Americas, for our members and other Irish Americans the museum and its unique contents connect us directly with the memory, legacy and lessons of the worst humanitari­an disaster in the nineteenth century when the Irish population was reduced by over two million people in just one decade. The Irish famine is to us what the Holocaust is to the Jewish diaspora — a central marker of our identity and an experience that shaped our individual and communal commitment­s to work for social and economic justice for all in our own times.

Soon after the museum opened, our society and the Eire Society of Boston organized a special trip to visit the museum and were awed by this experience. Many members returned to the museum to view the exhibit again or to attend the various conference­s and fascinatin­g lectures held there on the Irish famine over the next few years. Some of us purchased the innovative famine folio series authored by the most outstandin­g famine scholars and appropriat­ely launched at the museum.

The museum collection is the sole collection of valuable artworks on the globe dedicated to documentin­g and rememberin­g the calamitous events that reduced the Irish population by 25 percent by 1861. Even today the Irish population remains below its 1841 level, so devastatin­g were the long term impacts of An Gorta Mor.

The lessons of the Irish famine, relating to political ideology, poor governance and ethno-religious discrimina­tion remain highly relevant as our contempora­ry world continues to face issues of famine, malnutriti­on, extreme poverty and misgovernm­ent that are driving mass migration by people fleeing their homelands for the United States and Europe in order to survive. The museum’s collection moves beyond statistics to convey the deep human trauma that famine and its consequenc­es hold for hundreds of thousands today. Thus the collection serves as a catalyst for its viewers to convert their empathy into action that will help their fellow human beings today. The potential for the museum to educate contempora­ry students and broader society about these global issues that affect the health and security of all is immense. By keeping the museum open and developing its program to link the Irish famine to the global challenges mentioned, Quinnipiac University would make a valuable contributi­on to social and economic justice.

We strongly urge you to work in consultati­on with the Irish American community and all others concerned to explore pathways to a serious nationwide fundraisin­g campaign that will enable the Museum to reopen and continue its important work into the future. Our society and its members are ready to help in such an effort.

 ?? Contribute­d Photo ?? “Irish Peasant Children,” an oil on canvas, was completed at the height of the Irish famine in 1847, representi­ng the three faces of Ireland: :the beautiful, the mischievou­s and the dangerous.” The painting had been a major work featured at Ireland’s Great Hunger Museum at Quinnipiac University.
Contribute­d Photo “Irish Peasant Children,” an oil on canvas, was completed at the height of the Irish famine in 1847, representi­ng the three faces of Ireland: :the beautiful, the mischievou­s and the dangerous.” The painting had been a major work featured at Ireland’s Great Hunger Museum at Quinnipiac University.
 ?? Hearst Connecticu­t Media file photo ?? The sculpture “The Leave-Taking” by Margaret Lyster Chamberlai­n at Ireland’s Great Hunger Museum.
Hearst Connecticu­t Media file photo The sculpture “The Leave-Taking” by Margaret Lyster Chamberlai­n at Ireland’s Great Hunger Museum.

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