The Oakland Press

Go BIG Here’s how to do maximalism the way Go HOME

Right

- By Marissa Hermanson

The clean-lined, subdued-color aesthetic of minimalism has dominated the design scene in recent years, and although that contempora­ry look is still widely popular, maximalism — its rebellious, loud counterpar­t — is stealing some of the limelight.

“Minimalism is always less is more, whereas maximalism is more is more,” said Beth Diana Smith, a New Jersey-based interior designer.

The look, which mixes color, pattern, texture, cultures, shapes and eras, lacks a rigid definition, but you’ll know it when you see it. The aesthetic can be rooted in 1980s excess,

or traditiona­l, classic styles, or even evoke a bohemian vibe.

“Maximalism is about surroundin­g yourself with the things that you love,” Smith said. “It can be art, decor, furniture, anything at all, but it all boils down to layering those things beautifull­y together in a strategic way. For me, the goal is to always create a ‘wow’ factor.”

Smith has brought the design concept to life in her Irvington, N.J., home by incorporat­ing bold colors, strong shapes, geometric patterns, African decorative pieces and art of Black people by Black artists. She is also turning old family photos into art as a nod to her Grenada

heritage.

New Orleans-based interior designer Melissa Rufty is known for adding a Southern flair to maximalism. She reimagines period pieces, from 18th-century Italian and French antiques to art deco items, by pairing them with chintz, chinoiseri­e, contempora­ry art and animal prints. She also embraces unexpected color combinatio­ns, mixes patterns and isn’t afraid of lacquer, giving a fresh and modern feel to her spaces.

“It’s more of an attitude than it is an approach,” Rufty said. “And the reason people struggle with it is you have to check your intimidati­on at the door. You have to be brave and confident and know that, in this attitude, there is no self-expression that is wrong.”

Although maximalism doesn’t have a birth story per se, you can see it at certain points in history. For instance, Rufty said, oldschool designers such as Mario Buatta (the “Prince of Chintz”) were overt and generous with traditiona­l elements including chintz, decorative trim such as braiding and tassels, and velvets.

Smith references the Victorian era as an earlier time when maximalism had a moment in the spotlight. Intricate furnishing­s, decorative objects, wallpaper, complex shapes and pattern-mixing brought the ornate look of the period to life.

Today, maximalism is defined by personal indulgence in various forms. For instance, designer Kelly Wearstler embraces sculptural

furniture with surreal silhouette­s while Patrick Mele fearlessly blends past with present.

As we find ourselves stuck at home because of coronaviru­s pandemic, maximalism is piquing people’s interest; they want to surround themselves with the items they love in a space that feels good and is highly personaliz­ed.

“Before the pandemic, you could be minimal at home, because you had the opportunit­y to go and do what you want,” Smith said. “All those things you searched for outside through travel and dayto-day life, you aren’t getting

right now, and people are looking for that at home.”

For instance, you can use art and other decorative items to evoke the vacation you’ve been wanting to take. That could mean incorporat­ing items such as a Turkish Oushak rug, a Danish teak record cabinet or an ornate antique European armoire.

You can go overboard with maximalism. Bad minimalism reads sterile and austere, but bad maximalism feels chaotic and overwhelmi­ng.

“There’s a fine line between hoarding and curating,” Rufty said. No one

wants a space that feels cluttered; aim to fill it perfectly — to the max.

To create a good-looking maximal space, you need to be an expert at layering. You also need to know how to use color and what plays nicely together. And you need to know when to stop.

“It’s very much about strategy and execution,” Smith said.

First, do some planning. Measure to make sure the proportion­s of the rug and furnishing­s work together. Then move on to window treatments. Find the right art. Then layer in accessorie­s.

 ?? PHOTO BY MIKE VAN TASSEL ?? Interior designer Beth Diana Smith brought her maximalist style to life in her Irvington, N.J. living room.
PHOTO BY MIKE VAN TASSEL Interior designer Beth Diana Smith brought her maximalist style to life in her Irvington, N.J. living room.

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