The Oklahoman

Some looking to turn volume down in South Beach

Others see crackdown by police as racist, classist

- Kelli Kennedy

MIAMI – Miami Beach wants to turn down the volume in the city’s South Beach party neighborho­od, citing increasing­ly raucous crowds, public drinking and growing violence, but efforts to curb the carousing have raised complaints about racism, classism and business practices along one of the nation’s most glamorous waterfront­s.

The 10-block stretch of Ocean Drive known for art deco hotels, restaurant­s and bars is sandwiched between two areas that cater to more affluent tourists. The tension has been bubbling for years as party crowds grew from a few weekends a year into a year-round presence. The situation worsened during the pandemic when city officials closed the main drag to vehicles and allowed restaurant­s to offer more outdoor seating, which invited a carnival atmosphere on the street.

More than 1,000 people were arrested during this year’s spring break, when the city imposed a rare 8 p.m. curfew. Authoritie­s sent military-style vehicles to disperse predominan­tly Black crowds with rubber bullets, prompting criticism from Black activists and spawning a parody on “Saturday Night Live.”

“We cannot accept this as our normal,” Mayor Dan Gelber said. “What we have called an entertainm­ent district has become an incredible magnet for crime and disorder, and whatever it provides in revenue is just not worth the heartache.”

Last month, the city increased the number of police and code-enforcemen­t officials covering the neighborho­od to their largest number in history. The mayor called it a stop-gap measure, saying the city cannot afford to increase the number of police permanentl­y.

His long-term proposal would rebrand the blocks known as the entertainm­ent district by hosting higher-end concerts and fairs, focusing on familyfrie­ndly events and marketing the city’s often-overlooked but impressive museums and symphony. He also wants to limit loud music and halt alcohol sales at 2 a.m.

The area’s popularity has waxed and waned over many decades. It fell into decline after a midcentury heyday, but TV shows like “Miami Vice” made it cool again in the 1980s, and supermodel­s gathered at fashion designer Gianni Versace’s oceanfront estate in the 1990s. More recently, rap lyrics have immortaliz­ed South Beach.

The Ocean Drive closure, which remains in effect as the city maps out its future, has wrought financial havoc on hotels and restaurant­s.

Tom Glassie, longtime owner of the Avalon Hotel, has been meeting with city officials and residents for the past two years, wrestling with “what do we want to be when we grow up.”

“The nightlife took over. We were the best nightlife,” he said. “There was nothing wrong with that, but it just got overbrande­d” and eclipsed arts and culture.

The mayor’s proposal also seeks to increase office and residentia­l space and cut the number of bars and clubs.

Zoning regulation­s allow both residentia­l and commercial spaces, but no buildings can be taller than five levels, which deters investors who would rather build luxury high-rises. In addition, the art deco facades that provide glamorous backdrops have historic building protection­s, making the cost of renovation­s prohibitiv­e for some developers.

Instead, low-end bars and hookah lounges flourish while blocks away, several high-end New York restaurate­urs have opened new businesses.

Other businesses like the legendary Clevelande­r hotel and bar and the Mango’s nightclub complain that they have been caught in the crosshairs and unfairly lumped in with bars and nightclubs that cause trouble.

“We’re tired of being made into the bad guy, to continue to blame a 30-yearold business that is one of the largest taxpayers in the city and one of the largest employers,” said Joshua Wallack, chief operating officer of Mango’s Tropical Cafe.

“People come off these cruise ships dreaming of dancing salsa at Mango’s.”

Alexander Tachmes, attorney for the Clevelande­r, accused the mayor of “really turning up the heat on the Ocean Drive anti-business rhetoric” last summer and essentiall­y trying to siphon off establishe­d businesses while the city attempts to rebrand and court more cultural businesses.

The Clevelande­r sued the city over the 2 a.m. alcohol ban in May and won a temporary injunction until a trial starts this fall. The owners also sought in court to have Ocean Drive reopened, arguing that pandemic restrictio­ns were no longer necessary, but they were unsuccessf­ul.

The bar said the chaos in the street has made it difficult to maintain a nightlife business. The Clevelande­r checks IDs and pays for security, yet it has been a victim of vandalism and fights that spill over from nearby crowds. The bar voluntaril­y shut down early in March as the city struggled to gain control during spring break.

The majority of “problem tourists” are not college students, but come from out of state looking for trouble, city officials have said.

Some Black activists have accused the city of using overly harsh police tactics to disperse crowds and, on a larger scale, trying to attract only certain types of visitors, while discouragi­ng others.

Ruban Roberts, former head of the NAACP’s Miami chapter, called police tactics “callous” and “overzealou­s” in an op-ed published in the Miami Herald after a disastrous 2020 spring break. Roberts alleged Black tourists were treated “as second-class citizens.”

Part of South Beach also caters to middle-income customers, on the opposite side of the higher-end playground that includes the Fontainebl­eau, Delano and Faena hotels.

“If you can’t afford $200 for two people for dinner, you have the right to eat and have a nice drink and watch a football game,” said Tachmes, who also represents two upscale restaurant­s. “You don’t have to have a Michelin restaurant in order to eliminate crime.”

During notoriousl­y crowded weekends, some websites dish on the best party spots and exclusive poolside parties, while other sites offer tips to residents and vacationer­s looking to avoid the melee.

In an attempt to discourage large crowds, the city canceled all programs amid the pandemic, leaving a void where tens of thousands of people gathered with nothing to do. An initial lack of police created an anything-goes atmosphere, and businesses complained that crowds were using marijuana, drinking and treating the area like a house party.

Ken Koppel, chairman of SoBe Safe, a group of 400 concerned residents, said some tourists are merely “gun-toting drug sellers who disrespect cops and misdemeano­r statutes” and gather in crowds that are too large for police to control.

And even with the increased police presence, which Koppel said many residents support, “who wants to live in or pay for an armed camp forever?”

 ?? DANIEL A. VARELA/MIAMI HERALD VIA AP ?? When Miami Beach, Fla., canceled programs as the pandemic developed in March 2020, police response was lax, leading to a house-party atmosphere after curfew.
DANIEL A. VARELA/MIAMI HERALD VIA AP When Miami Beach, Fla., canceled programs as the pandemic developed in March 2020, police response was lax, leading to a house-party atmosphere after curfew.
 ?? MARTA LAVANDIER/AP ?? Dhalaig Averoff performs at Mango’s Tropical Cafe in Miami Beach, Fla. “People come off these cruise ships dreaming of dancing salsa at Mango’s,” says chief operating officer Joshua Wallack.
MARTA LAVANDIER/AP Dhalaig Averoff performs at Mango’s Tropical Cafe in Miami Beach, Fla. “People come off these cruise ships dreaming of dancing salsa at Mango’s,” says chief operating officer Joshua Wallack.
 ?? LYNNE SLADKY/AP ?? People dine outdoors at the Avalon Hotel along Ocean Drive in Miami Beach, Fla. “The nightlife took over. We were the best nightlife,” says hotel owner Tom Glassie. “There was nothing wrong with that, but it just got overbrande­d” and eclipsed arts and culture.
LYNNE SLADKY/AP People dine outdoors at the Avalon Hotel along Ocean Drive in Miami Beach, Fla. “The nightlife took over. We were the best nightlife,” says hotel owner Tom Glassie. “There was nothing wrong with that, but it just got overbrande­d” and eclipsed arts and culture.

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