The Oklahoman

BOB DYLAN CENTER TO CELEBRATE GRAND OPENING IN TULSA WITH CONCERTS

- Brandy McDonnell

TULSA — In his 1961 song “Hard Times In New York Town,” Bob Dylan briefly references the home state of one of his major musical influences, Oklahoma native Woody Guthrie:

I’ll take all the smog in Cal-i-for-ne-ay

’N’ every bit of dust in the Oklahoma plains ’N’ the dirt in the caves of the Rocky Mountain mines

It’s all much cleaner than the New York kind And it’s hard times in the city

Livin’ down in New York town

Now, Oklahoma is about to become the official home of more than 100,000 items spanning Dylan’s life and career, from handwritte­n lyric manuscript­s and previously unreleased recordings to musical instrument­s and visual artworks.

Located in Tulsa’s burgeoning arts district near the Woody Guthrie Center, the long-awaited Bob Dylan Center will open to the public May 10. The new center’s Grand Opening Celebratio­n will include a trio of starry concerts at Tulsa’s historic Cain’s Ballroom, plus the debut of exhibition­s and artwork that will provide insight into the music legend’s creative processes.

Here’s what we know about the Bob Dylan Center and its grand opening:

Why is the Bob Dylan Center in Tulsa?

Both the Bob Dylan Center and Woody Guthrie Center operate under the auspices of the American Song Archives, a project of the Tulsabased George Kaiser Family Foundation. The foundation acquired Dylan’s vast archives in 2016 and Guthrie’s in 2010.

The Woody Guthrie Center opened in 2013, and the Bob Dylan Center is situated just a few steps away.

Located in the former Tulsa Paper Factory, the center will be the primary public venue for the Bob Dylan Archive collection. It will preserve, curate and exhibit the vast collection of rare photograph­s, memorabili­a, personal effects and other items spanning Dylan’s influential 60-year career.

American Song Archives Managing Director Steve Higgins said in a statement that the center’s programs and exhibits will “explore the creative process and inspire the next generation­s of artists.”

Over the course of his groundbrea­king career, Dylan has sold more than 125 million records around the world, penned some of the most popular songs of the 20th century and received 11 Grammy Awards, the Nobel Prize for Literature and the Presidenti­al Medal of Freedom.

That’s probably why Smithsonia­n Magazine included the Bob Dylan Center on its global list of “The Most Anticipate­d Museum Openings of 2022.”

A Minnesota native, the enigmatic Dylan hasn’t had much to say publicly about the center, apart from a statement released in 2016 when it was first announced:

“I’m glad that my archives, which have been collected all these years, have finally found a home and are to be included with the works of Woody Guthrie and especially alongside all the valuable artifacts from the Native American Nations. To me, it makes a lot of sense and it’s a great honor,” Dylan said then.

Who has been involved in creating the Bob Dylan Center?

Designed by acclaimed Seattle-based architectu­ral and exhibit design firm Olson Kundig,

the center’s two-story façade features a mural of a 1966 photograph of Dylan, taken by respected photograph­er Jerry Schatzberg.

Based in London and New York, 59 Production­s — an award-winning design studio and production company that has worked on high-profile projects ranging from the opening ceremony of the London 2012 Olympic Games to the record-breaking “David Bowie Is” exhibition — is collaborat­ing with Olson Kundig on exhibition design and media developmen­t for the center.

U.S./Australian technology company Art Processors has devised the cutting-edge immersive audio aspect of the center’s interactiv­e experience­s.

In April, Steven Jenkins was named the Bob Dylan Center’s director, putting him at the helm of the new attraction’s exhibits, public programmin­g and daily operations. A lifelong Dylan fan, Jenkins recently relocated to Tulsa after working for three decades in the nonprofit sector in the San Francisco Bay Area.

“As an avid listener and fascinated follower of Dylan’s every surprising and illuminati­ng turn, his work has brought me a lifetime of aesthetic pleasures, confoundin­g challenges and profound joy. I am honored and thrilled to take on this dream job,” Jenkins said in a statement.

Earlier this year, Tulsa native and trailblazi­ng U.S. Poet Laureate Joy Harjo was named the Bob Dylan Center’s first artist in residence. A multifacet­ed Muscogee writer, musician and performer, Harjo just wrapped up her rare third term as U.S. Poet Laureate and has been named to a six-year appointmen­t as the center’s artist in residence.

Recently honored as an Oklahoma Cultural Treasure, Harjo was the country’s first Native American U.S. Poet Laureate as well as the nation’s first poet laureate from Oklahoma. At the Bob Dylan Center, she will present educationa­l programs and live performanc­es, along with curating special exhibition­s.

Harjo is planning to attend the center’s grand opening, according to a spokesman, while Dylan is not.

What exhibits will be featured at the new center?

The 29,000-square-foot Bob Dylan Center will feature 16 rotating exhibits, the more than 5,000-square-foot archive, a 55-seat screening room and more. The new museum’s centerpiec­e is said to be permanent exhibit on the life and work of its namesake icon.

It was recently revealed that a 16foot-tall metal sculpture, designed and built by Dylan at his Black Buffalo Artworks studio, will adorn the center’s internal entrance.

Among the exhibits visitors can expect when the attraction opens are “The Church Studio Control Room,” which will enable visitors to experience hands-on the mixing of a rotating selection of Dylan’s recordings. The first two will be “I Want You,“from the icon’s 1966 album “Blonde On Blonde,” and “Knockin‘ On Heaven’s Door,” from Dylan’s soundtrack to the 1973 film “Pat Garrett & Billy the Kid.” Inspired and sponsored by Tulsa’s legendary Church Studio, the exhibit also will share the stories behind the recording of several classic Dylan songs, including “Like A Rolling Stone.”

The museum also will feature “The Columbia Records Gallery,” a deep dive into some of the troubadour’s seminal songs, starting with “Chimes of Freedom,” “Like A Rolling Stone,” “Jokerman,” “Not Dark Yet,” “Tangled Up In Blue” and “The Man In Me.”

Who will be performing leading up to the grand opening?

Leading up to the center’s May 10 public opening, three celebrated musical luminaries who have cited Dylan as a particular influence on their work will perform in concert at Cain’s Ballroom.

Gospel, soul and blues legend Mavis Staples will play a special show May 5 only for Bob Dylan Center founding members.

“Punk Poet Laureate” Patti Smith will perform with her band May 6 at Cain’s, while Grammy winner Elvis Costello & The Imposters will play May 7 at the beloved Tulsa venue. Both those shows are open to the public. For tickets and informatio­n, go to https://www.cainsballr­oom.com.

How to visit the Bob Dylan Center?

After the May 10 grand opening, Bob Dylan Center hours will be 10 a.m. to 6 p.m. Wednesday-Sunday.

Admission is $12 for adults; $10 for seniors (55 and older), veterans and students (18 and older with ID); and free for children (17 and younger) and kindergart­en through 12th-grade teachers.

Tickets to the center — along with dual tickets to the Bob Dylan and Woody Guthrie centers — are available online at https://bobdylance­nter .com/visit.

Membership­s, including founding membership­s, are for sale at https:// bobdylance­nter.com/support/membership­s.

For more informatio­n, go to https://bobdylance­nter.com.

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 ?? TULSA WORLD ?? The Bob Dylan Center mural Monday, April 25, 2022 in Tulsa, Okla.
TULSA WORLD The Bob Dylan Center mural Monday, April 25, 2022 in Tulsa, Okla.
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TULSA WORLD The Bob Dylan Center mural Monday, April 25, 2022 in Tulsa, Okla.
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